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If I used a non-X captor, it basically outputs the post-power amp sound, and I'd just need to add an IR in the DAW, is that right? Am I understanding it correctly?

I have a cab, and a 5150 Iconic 15w. But also I have an HX Stomp + Helix Native that I use for recording. I'm just interested in the idea of having an amp I can physically touch and tweak that I can also use for recording. Ok, good to know. Another commenter said the the V35 does have the new...

I'm slowly looking into getting a small tube head for bedroom playing and recording, and looking at these two, I'm curious how the CabClone in the Mark V head compares to the Two Notes Torpedo Captor in the G20 head. The thought of not needing to buy a load box is really appealing to me. Anyone...

LIES!!

Take it to a local shop that has a Plek machine and just confirm that they can fix it with a Plek job and setup. If they suggest to return it than you can make a decision, but if they tell you they can definitely fix it, then take the price you paid + the Plek & setup cost and ask yourself if...

It includes room and board in his apartment, right? 😜

Recently, I've tried the Jazz III XL size for the first time in 20+ years of playing, and I'm wondering what took me so long. I've been playing with different Jazz IIIs forever, and Flow picks recently. Big fan of the XL size, and it's crazy how close they are to the Flow size and shape.

Welcome! I'm glad to see you made it past the captcha.

Seems to be the opposite, they are branching out too much and refusing to keep building all the really cool guitars they used to built and discontinued 5 min later. Edit: ...or do both

You're right. I've come to realize that although I don't love it, someone else could and so I have it up for sale.

Sweet amp, would love to try one. I really like the Helix version too. Happy NAD!

You make some really good points regarding the binding. I totally agree, there's a better path to refinishing this particular guitar than just a solid colour. As much as I would love it. Ultimately, I've decided to just part with this one instead of going to refinish route. As cool as it could...

I'd have to find out what it should reasonably go for. Seems way over priced, but to his credit, there are none for sale anywhere that I can find so ¯\_(ツ)_/¯

Funny enough, the seller of the RG752FMMSF that I linked to also has this guitar for sale on Reverb for $2,800 CAD, which is basically the same price as a new 5000 series RG.

There's this one here locally which I find looks awesome but I think the price is too high: https://www.kijiji.ca/v-view-details.html?adId=1683653045

Option 2 is what I would do if I don't refinish this one I have. I'm not super picky, any RG or S 7-string in a solid or metallic colour, with any bridge would do. But they are hard to find used it seems.

Ya, same. I don't know if I trust someone to get a refinish like a chameleon right. Although I have no clue, maybe it's easier than I think.

Yeah, I hear ya. That's why I wanted to pitch it here, to get some other opinions. Use 7 string RGs are so hard to come buy here (Canada). Honestly, I'd be happy with almost any solid colour used RG 7 string, so maybe I can just keep looking until one pops up. The only risk is that hopefully...

There's some ideas here: https://sevenstring.org/threads/studio-recording-documentaries.365872/

This might help: https://www.sevenstring.org/threads/help-with-2020-ibanez-rg550-genesis-v8-pickup-wiring.365730/post-5611176