My head lives in a road case with the rack gear. I normally put it off the side of stage or in a spare area along the side or behind my cab and run a long speaker lead out. Our cabs are normally covered with scrims anyways so it's not like it needs to be on stage to show off or anything.
The bogner is a dry amp with a ton of gain on tap. I haven't been able to get a tight low end out of it yet but the mid range clarity on single notes is certainly impressive.
I've played alot of schecters and never liked any of em. The loomis is decent but still not my thing. They feel cheap to my hands and usually quite muddy. The tone off the neck acoustically is not what I like to hear which makes me question their profiles or neck joint. I heard they have or are...
Does he really use the Palmer though? I've tried them and absolutely hate them with a passion. Boxy and lifeless. Id rather go axefx. It's not that hard to put a 57 up. I've worked the big festivals and inspected the big guys rigs. I've never seen one of these actually being used.
There is an overtone in basswood that I hear regardless of pups that I've heard from ibanez to suhr. I was playing a suhr in my local shop and remarked how it had an annoying freq that I hear in my ibbys. Low and behold under the quilt top it was a basswood guitar. It's hardly noticeable but...
I don't think they were able to find a nice enough piece of koa in time :( Here's my walnut body getting glued. And the mahogany neck I'll now be getting is on the left
Hidden away apparently waiting for the right job. I asked for a koa top and mentioned I'm Hawaiian and would love one and he graciously offered it up for my build. Wanted to go a koa neck as well but unfortunately not this time.