Yeah! It’s funny, writing for ggd has been fun because it’s so low pressure it allows me to write in a way where there is no stress, and sometimes cool ideas come from it. Wildfire was one of those ideas too!
If they opt to lead with the custom shop run first, likely yes. The SoCal run we did sold out instantly. But this then led to them wanting to develop a production model.
Headstocks are tricky, maybe? I honestly don’t hate it as it is, and it’s only worth doing if you can improve it. Hopefully in a way which doesn’t get another company attempting to take you to court over it haha.
Development is slow cuz we are working on several things at once, and it's been less of a priority since 8s don't move crazy numbers. With that said, I'd love to put that out, just gotta figure some stuff out. The bridge pickup at that angle isn't quite giving me the sound I want, although...
I appreciate you letting me reside rent-free for so many years now, and apologies for looking a gift horse in the mouth, but it's a shithole in there, could you fix it up please?
Thanks!
It always shocks me how quick covers go up. I think it’s become a bit of a competition. This one dude had a cover within 12 hours or so where he not only redid all the instruments but managed to edit a high quality playthrough of it and post it on YouTube. The talent out there is just insane!
Saw someone else asking, reamped with a bunch of amps, mainly Invective and Granophyre, often combos across 4 tracks, always boosted with a Precision Drive. Also used some Carstens Grace and 5150 here and there. Some Lone Star for certain pushed cleans etc, Carstens worked well for that and...