Yeah, I took the ToneZone out and put it in my other guitar.. in the neck is a stock 2027 pup now. I've still got the ToneZone, if anyone would prefer that in there.
For sale is an Ibanez 2027x ('99, I believe) which I bought from sevenstring.org's very own Drew about 4 years ago. Amazing guitar, but I'm just not using the seventh string all that much any more, so I'm thinking I'm just going to hang on to my old 7421, and let the 2027 go to a good home...
I used to have a bunch of pedals that I used.. now though, all I've got on my board is a Line6 Echo Park delay, and my Whammy 4. (along with the footswitch for my head, a tuner, and a Boss NS-2 Noise Supressor.)
I'd agree with all of that.. the thing is though, this will be huge in the clubs, because in that environment, just about all you need is a beat that rocks.
I've bounced around a bit with strings over the past couple of years, but for the past while, I've settled on using the 10-60 Zakk Boomers from GHS.. I add a .42 for the 5th string. I tune to A, and the .60 doesn't bother me.. if you like the strings really tight though, you might find it a...
It was 36C here on Tuesday, felt like 48C with the humidity.. in your terms, that's about 118F. :eek: And both of my cars are black. Awesome. Luckily, it's cooled down a bit today.
I only own 2 guitars, and they're both 7s, so I play 7s exclusively. I've been kind of wanting to get a 6 lately though, to fool around in drop C on.. I like the sound of that tuning.
I play in a band called q publik here in Ottawa.. For the past couple of years, we've been playing a couple of times a month on average, but lately we've slowed down quite a bit and are concentrating on basically writing a whole new set. We started out as kind of a "nu-metal" (hey, remember...
No doubt.. Warwicks sound incredible. The bass player in my band has a Warwick Streamer fretless 5 string.. it sounds amazing, but he uses his Ernie Ball more. Our music rarely calls for a fretless.. he's used it on a couple of parts in the studio though. Sounds ridiculous through his Ampeg rig.
God I hate 311. Anyway, the mixing on that one sounded pretty good.. although I'd bring the kick up in the mix. And maybe a little more compression on the bass.. the lower notes are getting kinda lost, I thought. On Dig A Hole, the snare needs to come up a lot.. on my speakers, (Logitech Z4...
Madonna - Confessions on a Dance Floor People (me included) are digging that album right now.. it'll please the top 40 crowd, as well as anyone who likes house/electronic music.