Metahedron
((952)³ + (-951)³)
Being a single background guitarist in an obscenely aggressive, experimental, drums and bass driven band, I have several matters to request the forums assistance with:
My primary 7's humbuckers are extremely unsatisfactory, and the neck PU is constantly disembodying due to a stripped tab, and I was curious as to what recommendations for replacements you could provide. It is a mahogany body 7-string Epiphone Les Paul in requirement of a bridge and neck humbucker providing a fat, dark, and rich hum bucker tonal quality with an abundance of bite primarily for rhythm and melody.
Additionally I am soon to purchase a 7 string with alder body wood likely to have another HH configuration. It is with this guitar's pickups that I am trying to achieve: a shrill, trebly, and LO FI tonality resemblant of Tom Morello(RATM/Audio Slave), Daniel Ash's(Bauhaus), Rowland S. Howard or Blixa Bargeld's(The Birthday Party), East Bay Ray's(The Dead Kennedys), or various like guitarists'(most of which using Fender: Telecasters, Jaguars, and/or Mustangs).
[MEDIA]http://www.voxamps.co.uk/downloads/audio/Pedals/Cooltron_Bulldog_8.mp3[/MEDIA]
Would coil tapping be recommended for this project, and if possible, could someone provide a description of coil tapping installation(links are always appreciated)?
My primary concerns are achieving the desired tones, cutting through aggressive slap bassist, and maintaining a magnetic field extremely capable of feedback, all with a unique voicing. In the near future I will be purchasing a new amp head to make my primary, which is liable to be a Marshall JCM 800(which I am not positive how to describe the equalization of). At this, I intend to further direct the signal into two separate guitar and bass cabinets. Mind you shred oriented recommendations have no applicability to my playing style. As a textural guitarist I perform muted strumming, funk, industrial, and flamenco influenced chording, with a fair amount of reliance upon chord definition, texture, and high contrast value through a wah pedal.
Please offer whatever advice or opinion you can.
My primary 7's humbuckers are extremely unsatisfactory, and the neck PU is constantly disembodying due to a stripped tab, and I was curious as to what recommendations for replacements you could provide. It is a mahogany body 7-string Epiphone Les Paul in requirement of a bridge and neck humbucker providing a fat, dark, and rich hum bucker tonal quality with an abundance of bite primarily for rhythm and melody.
Additionally I am soon to purchase a 7 string with alder body wood likely to have another HH configuration. It is with this guitar's pickups that I am trying to achieve: a shrill, trebly, and LO FI tonality resemblant of Tom Morello(RATM/Audio Slave), Daniel Ash's(Bauhaus), Rowland S. Howard or Blixa Bargeld's(The Birthday Party), East Bay Ray's(The Dead Kennedys), or various like guitarists'(most of which using Fender: Telecasters, Jaguars, and/or Mustangs).
[MEDIA]http://www.voxamps.co.uk/downloads/audio/Pedals/Cooltron_Bulldog_8.mp3[/MEDIA]
Would coil tapping be recommended for this project, and if possible, could someone provide a description of coil tapping installation(links are always appreciated)?
My primary concerns are achieving the desired tones, cutting through aggressive slap bassist, and maintaining a magnetic field extremely capable of feedback, all with a unique voicing. In the near future I will be purchasing a new amp head to make my primary, which is liable to be a Marshall JCM 800(which I am not positive how to describe the equalization of). At this, I intend to further direct the signal into two separate guitar and bass cabinets. Mind you shred oriented recommendations have no applicability to my playing style. As a textural guitarist I perform muted strumming, funk, industrial, and flamenco influenced chording, with a fair amount of reliance upon chord definition, texture, and high contrast value through a wah pedal.
Please offer whatever advice or opinion you can.