His metal zone is actually modified, I can't remember the name of the guy but their equipment on KILL is posted on there, The Wretched Spawn was just Mesa Boogie and nothing else although jack used alot more stuff, on part of the extra wretched spawn dvd you get to hear pat using the mesa alone with no producing and it sounded fucking insane most probably THE best death metal tone ever...and as for my favourite tones it has to be the lead tone off Whitesnake Crying in the Rain with John Sykesand for rhythm it just has to be anything done by Pat or Dino ![Headbang :hbang: :hbang:](http://www.sevenstring.org/styles/default/xenforo/smilies/hbang2.gif)
![Headbang :hbang: :hbang:](http://www.sevenstring.org/styles/default/xenforo/smilies/hbang2.gif)
No, not at all. Metal Zones sound like shit normally. I'm saying Pat O'Brien goes guitar-->Metal Zone-->Triple Rectifier. He uses the Metal Zone as a 'clean boost' to give the Triple Rec more tightness, he's not using the distortion of the Metal Zone at all. 90% of pro metal bands do something similar, but just not with a Metal Zone as there are better sounding pedals to use as boosts out there.
All I was saying is the tone you're hearing in that clip is 100% from Neil Kernon's monitors, after the amp has been mic'd, processed, mixed, eq'd, etc. However, I've seen them live with the Triple Recs and they sound even better than that. When you're standing far away from a cranked Triple Rec, man they sound fucking amazing.