Seedawakener
ouh...
Dreaming neon black and enemies of reality. For most diversity, and best albums overall. ![Big Grin :D :D](data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7)
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Why, what's the problem with basswood?
Total personal preference. I'm just not a fan of it.
I don't listen to Nevermore (YET, I just watched some stuff on youtube and will be buying some cds soon!) so I just checked him out. WOW! Awesome, awesome guitarist!!!!![]()
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Loomis (who I am familiar with) and Broderick have a solo duel:
http://youtube.com/watch?v=G5zV-IlSvP4&mode=related&search=
Two impressive guitarists to say the least! Not too go too far OT, but if I were to get a Nevermore CD what is one of the best to pick up? Bah, 2 DotN cds... now this...![]()
That is just a purely droolworthy guitar. And I was present for that big Broderick/Loomis guitar duel, so I can testify firsthand about how good Broderick is. He kept up with Loomis note-for-note, with no apparent effort.
Hmm, now that two Ibanez endorsers have specifically asked for, and gotten, RGA-7's, you'd think that some big brain somewhere at Hoshino would make the connection and introduce one that "the rest of us" could buy, even if only as a J-Custom. If Ibanez introduced a 7-string version of the RGA-121 (bolt-on, no fancy stuff), I'd totally buy it--and I'm no Ibanez worshipper.
Shouldn't it have an LACS logo?
not necessarily--mine don't say "prestige" or have any sort of logo.LACS guitars say "prestige" on the headstock...
hell yeah. the fixed bridge would keep costs down, even as a Prestige model. as much as they seem to want to push the RGA series, they're fools if they keep that line out without a 7.If Ibanez introduced a 7-string version of the RGA-121 (bolt-on, no fancy stuff), I'd totally buy it
We missed this NAMM, but yeah, while I'm not holding my breath it wouldn't shock me, either, if we saw a RGA Prestige next January at NAMM. It depends how the S7 sells, probably.![]()
That is just a purely droolworthy guitar. And I was present for that big Broderick/Loomis guitar duel, so I can testify firsthand about how good Broderick is. He kept up with Loomis note-for-note, with no apparent effort.
I am firmly of the opinion that he was taking it easy on Jeff, so as to not show him up in his own band. I've seen Chris do stuff way more technical than anything he played on that duel. Not that I'm trying to slam Loomis, but Chris is far more studied and diverse. Do you know what Chris did after their set that night? Went back to the bus to practice.