Prydogga
Giddyup.
- Joined
- Jul 7, 2009
- Messages
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so i have no idea how i didnt notice this before but in Paul Bunyan and the blue ox it cuts into a whitechapel song![]()
![Scratch :scratch: :scratch:](http://www.sevenstring.org/styles/default/xenforo/smilies/scratchhead.gif)
so i have no idea how i didnt notice this before but in Paul Bunyan and the blue ox it cuts into a whitechapel song![]()
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Nothing's confirmed yet, but from the looks of it, nobeen listening to The Alpha The Omega for about half a week now.... this album is awesomesuch a shame that it's the last one :'( are they going to tour this album?
Hey guys! I'm Nick Scott, and I produced/engineered/mixed this album.
Let me know if you have any questions.
Regarding the clipping: I'm 99% sure that was a mistake made during distro/duplication, there was absolutely no clipping going on in my master. Margin set to -.3 (Industry standard) and I think it peaks at about -8 RMS
Cheers, Nick!
Great work on this release - by far my favourite Danza production.
Would be glad to hear any info regarding drums/guitars recording/processing, general review would be enough.
I love the punch brought by kick drum and chugging guitars, as well as hearing some slight vibey pumping which is awesome.
Any secret info on that überpunchy kick/snare?
Wasn't bothered by clipping issue - Machine Shop has already taught is clipping may sound pleasant in the right context![]()
The main thing I wanted on this record was to emmulate them live and focus on the 'slam' factor. Didn't give a shit about how even and pure the levels were so much because that comes natrually. So I esentially INFLAMED every instrument as largly as I possibly could. The thing that helped most with that is AMAZINGLY solid and filthy takes, and lots of parallel compression and other parallel tricks. I also slammed the 2bus with my favorite secret compressor. That's what helps to really groove that slam and make it feel like one giant monster rather than just a buch of perfectly fine tuned instruments
Thanks!
The kick is simply 50%real kick and 50% sampled. The sample is the one I sampled from danzas actual kit and processed as well, sorta to just fill in the gaps and keep it consistient. Everything else for drums is 100% real.
The main thing I wanted on this record was to emmulate them live and focus on the 'slam' factor. Didn't give a shit about how even and pure the levels were so much because that comes natrually. So I esentially INFLAMED every instrument as largly as I possibly could. The thing that helped most with that is AMAZINGLY solid and filthy takes, and lots of parallel compression and other parallel tricks. I also slammed the 2bus with my favorite secret compressor. That's what helps to really groove that slam and make it feel like one giant monster rather than just a buch of perfectly fine tuned instruments
I've had the chance to see them live twice, both time had that crazy slam feel. This album is the closest I can get to feeling that insane live energy. Very well done man, it absolutely crushes. On a side note, do you have any other projects going on? I'm curious to hear what else you can do.
I have the itunes version of this but I was wondering are there lyrics that come with the actual cd? Ive been looking all over but cant seem to find any
Yeah man, I work full time as head audio engineer with JoeySturgis, and I also mix a significent ammount of albums.