muffinbutton
knows the muffin man
I play deathcore and other -core stuff. So yeah. I use them a lot. I also have a locking nut, so it sounds the same.
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As AugmentedFourth wrote, for string players, intonation is a concern. As far as I know (not being a string player, but knowing a few and having to deal with them on occasion), open strings are encouraged to check intonation.
I can't speak for stand-up or cello or even viola, but I'm actually not making this up about violin if that's what your quote dichotomy was meant to suggestIt's more heavily emphasized when playing arpeggios and such when a note of different timbre is more likely to stand out, and of course when vibrato is required (which is usually quite often).
I can see how "recentering" the ear by playing occasional open notes would be more necessary on a fretless instrument with a much longer scale, but for violin (and probably viola), muscle memory paired with a decent ear is adequate for locking in your intonation without need of reference notes.
I love the bottom strings played open but I try to avoid the higher ones. You can put so much more feels in fretted notes plus you can actually bend strings.
I can't speak for stand-up or cello or even viola, but I'm actually not making this up about violin if that's what your quote dichotomy was meant to suggestIt's more heavily emphasized when playing arpeggios and such when a note of different timbre is more likely to stand out, and of course when vibrato is required (which is usually quite often).
I can see how "recentering" the ear by playing occasional open notes would be more necessary on a fretless instrument with a much longer scale, but for violin (and probably viola), muscle memory paired with a decent ear is adequate for locking in your intonation without need of reference notes.
Makes sense. It's probably more of an issue for beginning students to train their ear than it is for professionals who are trying to make the best interpretation they can.