TheUnknownOne
Well-Known Member
Hi fellow sevenstringers,
I've got a modded korean LTDMH400FR, those old series with natural binding, weights a ton, gorgeous dark blue flamed top...
Maple neck through, rosewood fretboard, (heavy) mahogany wings.
I switched the electronics to passive a few years ago : Duncan TB6 bridge + SH2 jazz neck with push/pull, no tone.
I am completely satisfied with the tones I get with the TB6 bridge, It's like a bigger 81 with much more dynamics and clarity in this guitar : perfected for modern metal, metalcore...
The middle and split positions are also damn good, think new Intervals lead/mid gain tones. Cleans are also heavenly in middle and all 3 split positions.
However, I am not totally satisfied with the hi-gain lead tones I get from the SH2 neck. First, the output is a bit low so I need to place it really close to the strings, and back-off the TB6 a lot more to get the right volume balance (but this works well for the TB6!)
Second, I find the attack really glassy on the higher notes, it is always kinda harsh IMO. But it softens when used in middle position with the TB6 (?!).
Which pickup could do the job better in your opinion ? Something with a bit more output, still really articulated on low strings, but with a more "liquid" sound ?
I've got a modded korean LTDMH400FR, those old series with natural binding, weights a ton, gorgeous dark blue flamed top...
Maple neck through, rosewood fretboard, (heavy) mahogany wings.
I switched the electronics to passive a few years ago : Duncan TB6 bridge + SH2 jazz neck with push/pull, no tone.
I am completely satisfied with the tones I get with the TB6 bridge, It's like a bigger 81 with much more dynamics and clarity in this guitar : perfected for modern metal, metalcore...
The middle and split positions are also damn good, think new Intervals lead/mid gain tones. Cleans are also heavenly in middle and all 3 split positions.
However, I am not totally satisfied with the hi-gain lead tones I get from the SH2 neck. First, the output is a bit low so I need to place it really close to the strings, and back-off the TB6 a lot more to get the right volume balance (but this works well for the TB6!)
Second, I find the attack really glassy on the higher notes, it is always kinda harsh IMO. But it softens when used in middle position with the TB6 (?!).
Which pickup could do the job better in your opinion ? Something with a bit more output, still really articulated on low strings, but with a more "liquid" sound ?