decreebass
Business Secrets of the Pharoahs
I use the 6CM, where I use and external laptop to change patches, amp channels, and fx parameters in live time to a click track for me with the GT100. I never even have to touch the damn thing while playing lololol.
That's brilliant! I could see the benefits for live playing, but I mainly just practice at home so that's probably overkill for me but kudos!
As far as the quality of effects... The Boss GT-100 has great effects. The HD500 has great effects as well - for instance, it's hard to tell the difference between an actual analog Deluxe Memory Man and the Line-6's M-Class delay effect called "Analog Delay w/ Mod." They're very good. The old DL4 has horrible analog delay w/mod - the M-Class effects by Line 6 are miles above their old stuff (thus the eponymous "HDxxx").
I'm sure the Axe Fx are worlds better than Line 6 or Boss, but unless you're recording at a very high bitrate, you probably couldn't appreciate the quality difference if you're just using it through your own amp. I may be wrong, but that's the reason I haven't bought the Eventide H9 - I hear it's amazing, but through a tube amp and a 2x12 mono cabinet, I doubt the difference would blow my mind. Again, I could be wrong.
With some clever tweaking and EQing, you can get extremely usable sounds out of the lower-middle class effects units (PodHDs, newer GTs, etc.) without having to upgrade to the upper-middle class effects (Eventide, Pigtronics, Strymon, etc.) or the upper-crust (Fractal Audio, Kemper, etc.).
I've never tried the G-Major, but many users swear by it. I've been considering picking one up myself, but I can't justify that kind of money just for curiosity *goes to buy more EBMM guitars* lol