kamello
DESU METARU!
bumpity for this as people generally ask for this around ![Yes Way :yesway: :yesway:](http://www.sevenstring.org/styles/default/xenforo/smilies/yesway.gif)
![Yes Way :yesway: :yesway:](http://www.sevenstring.org/styles/default/xenforo/smilies/yesway.gif)
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Great read this
2 quick questions though
1) where would the EQ be placed?. Infront of the amp or the loop?
2) You say that a para eq works best as you can select specific freq but If you can find a Graphic eq that isolates 1.4khz for you (like the artec SE EQ8 Graphic EQ - EDIT my bad it only has 1.2khz not 1.4 but thats pretty close isnt it?) Is that the same and will do the same job?. Or would a Para still be better?
Thanks for this though, Im now using it to update my whole live sound and effects
EDIT I also want to get rid of fizz from my amp so Im even half tempted to buy a Parametric and a Graphic EQ for the efx loop (presumably the best place for EQs...or can 1 be used after the Maxon infront of the amp to remove anything nasty being created by the OD?). The Para boosting the 1.4khz to give me that Djenty tone and the other Graphic EQ to add some meat and remove the fizz
Does anyone know If this would work?
Hi, great post! I actually made a purchase based on this (the akai deluxe distortion). It's not bad..has a lot of variety to it.
This thread seemed more geared for people running into amps (I might of missed something), I prefer direct line in recording. Do you have a recommendation for the chain going into the audio interface? Right now my chain is od>noisegate>distortion>audio interface. Then I have some okay-ish plugins that I use to get my compression. Anyways, I struggle like a son-of-a-****** dialing in for tone. I can't seem to get the clarity I really want. It's okay, I just wish it could be better. Any suggestions?
Thanks man.
Not at all, these are all general guidelines and work the same way if you're using plugins. Just so I'm clear, you're going:
Guitar > OD Pedal > Noise Gate Pedal > Distortion Pedal > Audio interface? That's it? Nothing else?
If that is the case, you need to be running an amp simulation and cabinet simulation of some kind. Otherwise you're really just recording a DI signal with some stuff on it. I recommend checking out something like Amplitube, Revalver, POD Farm, etc. If you want something free check out the LePou series of plugins, which include a cabinet simulator and preamp sims as well. If you're not familiar with this kind of set up go to my website (link in my signature) and go to the blog section, I've written up a tutorial on Recording Guitars at Home which has all the necessary steps to download and set up these plugins.
I have a tuner at the beginning and a delay at the end. But they get used so seldom, and they're true bypasses when turned off (I know that that's not perfect due to signal loss through more chord etc etc..)
I haven't had too much luck with the amp and cab plugins, tone-wise. My other guitarist has been using Guitar Rig, which isn't bad, but I'm not blown away from it. I have an additional plugin I can use it's the Poulin LeCto v1. It just simulates a Mesa Boogie rectifier. I'm not really feeling it though. It's real buzzy sounding.
If you had to pick one amp simulator, which one do you think would wield the best results?
I have a Dual Rectifier, OD9 Pro+, Flashback X4, Fuzz War, Voodoo Wah, G String Decimator gate and an Empress Parametric EQ. I cannot for the life of me get the G String to work in the loop. When placed in the loop all sorts of bizarre noises are created and the amp sounds like it has a massive problem. This is regardless of loop level and mix settings (although changing these settings alters the weirdness).
I think the G String is made for serial loops so perhaps the parallel loop in the Recto is the problem and I can only use the G String out front.
So at the moment I have the G String out front acting as an umbrella over my OD, EQ, Wah & Fuzz. This then goes to the front input. Then I have my delay in the loop. This works but I wonder if I am making the most of the G String's capabilities.
Thanks a lot. Great help. So I just keep the EQ in the loop but take care to keep the boost at zero and no amp damage will occur?
When the EQ was in the loop, the problems with the EQ providing too much signal also seemed to be soothed a great deal by also setting the input pad at -12dB. Is that because this decreases the signal going to the power amp, just as keeping the boost down low does?
Thanks so much! Friendly Canadians ruleI'll post a diagram for analysis when I get to it.
The G String manual says the G String should be the last pedal in the chain. However if I have it correct this isn't always the case. For example, we have decided the delay should go in after the G String in the loop section.
The other region where I would question this "put the G String last" instruction is with regards to the placement of the dirt pedals out front. I have the dirt pedals between the G String's "Guitar Out" and the amp's input.
The way I read it, if I were to follow the manual's advice the dirt pedals (OD, Wah & Fuzz) would be between the guitar and the G String's "Guitar In" (thus the G String would be last). I'm probably interpreting the manual incorrectly as this layout would contradict post No. 7 here, which I'm guessing is correct (and I have copied).
I've got to say for all the work ISP put into building the pedal, they seem to have scratched out the manual on the back of a coaster at the pub after work one day. The diagram relating to loop usage in the manual doesn't even show a single effects pedal. Why not provide half a dozen possible layout diagrams and save people like me a lot of confusion? It would only take them an hour or so to knock something like that up. Hard to understand. I guess they don't cater to tech newbs.
Unfortunately you need to use an amp and cab plugin unless you are going to reamp your DI's later. But at the end of the day if you're recording direct without reamping you NEED to be running into an amp simulator and a cab simulator in your DAW or it's not going to work.
Do you know how to EQ guitars for recording though? Did you try a low pass and high pass filter on the guitars first? Honestly the LePou amps are hard to beat.
If after the high and low pass filters you're still having issues, upload a clip and we can go from there.![]()
Whoa there! Sorry it's been so long. I've been super busy writing and learning how to use the plugins to my advantage. Got to go back on what I said about the LePou; you were spot-on, absolutely, positively right about the LePou plugins! The Le456 (ENGL emulator) is hands-down one of the greatest plugins I've used. Mixed with a single impulse in the LeCab, so so nice! Well, I'm still running my pedals direct into the audio interface, and I then run the Le456 clean with some eq, and PRESTO! Glorious tone! Can't thank you enough, brother!
Glad everything worked out for you man, post some clips if you get a chance. Would love to hear what you came up with.![]()