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What is it about the Hipshot bridge that so many of you find ugly? I find it more visually appealing than any other headless system currently on the market (although, as I said, the ideal situation for me would be J-Custom introducing 7+ string bridges, even tremolos). Also, I've owned a few Steinbergers, I sit in the classical position, and I've never had a problem with the tuners digging in to my leg. I'd welcome any owners of Steinberger/Holdworth models to chime in and share their experiences with this.
Step 1: SSO users beg Carvin to make a headless ERG for literally years
Step 2: Carvin finally makes one, posts teaser images, SSO jizzes EVERYWHERE
Step 3: Full headless ERG lineup revealed. SSO declares it "meh" and "probably won't buy it."
You should head to the sevenstring section and go to
The Carvin Vader thread and read everyone's posts bitching about the scale length not being short enough.....
It's sevenstring.org, not extendedscale.org.You should head to the sevenstring section and go to The Carvin Vader thread and read everyone's posts bitching about the scale length not being short enough.....
Step 1: SSO users beg Carvin to make a headless ERG for literally years
Step 2: Carvin finally makes one, posts teaser images, SSO jizzes EVERYWHERE
Step 3: Full headless ERG lineup revealed. SSO declares it "meh" and "probably won't buy it."
Huh. I always remember Step 1 as, "you cut a hole in the box."
I think, irrespective of whether an individual player likes this model or not, the real significance here is the almost paradigm shift we've seen in Carvin over the past 2 years. And this particular jump is significant. Carvin used to be a cool company with a lot of guitars for traditional players. Now they're a cool company with a lot of guitars for traditional AND niche players. If someone had told me 3 years ago if they'd be doing the Vader model, I'd have asked them where they got their weed, and could I have some, too.
I think, irrespective of whether an individual player likes this model or not, the real significance here is the almost paradigm shift we've seen in Carvin over the past 2 years. And this particular jump is significant.