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Didn't pay close attention during Summer NAMM then, I take it?
I was away from this thread for a day or two. I'm surprised and impressed, yet somewhat defensive. I won't believe this isn't all some beautiful fever dream until I'm looking at models in a store. It's like the Truman show and you're all fvcking with me....
Great work as always leaky gents.
What do you think the potential size of the high-9-string market is? Maybe 10% of the size of the low-9-string market? There's no way that's a good development decision.
The potential market, again, is something that needs to be tested.
And you know...it just needs a "face"
Give a 9 stringer with an high A to Tosin Abasi, Misha Mansoor or Tony Macalpine and you get your market.
I think that's exactly backwards. If the music that's being made demands an instrument with more strings, then individual players will seek them out (and already have). When someone who's done that creates something extraordinary, other players will follow, and you'll have your market. If memory serves, that's how it happened with the 8-string. Ibanez didn't give 8-strings to Fredrik and Jens and say "hey, we want to sell these - help us create the demand."
But what I said happened with the RG2011SC and Artusato.
It can clearly happens both ways.
Just when I thought I was gonna be able to financially survive this year they reissue the SV