RV350ALSCYTHE
Well-Known Member
Kind of off topic, can someone explain the different operations of these noise gates?
I have two pedals with a noise-gate function, which behave differently.
Ibanez SM7 gives me two noise-gate modes, both cut down a lot of unwanted noise with some difference between them. It seems to apply the same wave-shaping to any input signal.
Rivera Metal Shaman is fully adjustable with a Sensitivity knob and Release knob to adjust the functions of the gate.
When using either pedal with a low-tuned guitar (lower than F# on an 8), or a bass I get different results.
The SM7 remains a tight uniform distortion with noise-gating whereas the Metal Shaman will completely block low frequencies. I don't remember which note is the lowest it will allow (I havent used the pedal with a bass for months), but the majority of my B string and a few notes on the lower end of the E string make No sound when the noisegate is engaged.
Any explanations? Is this a safety feature built into the higher-end rivera pedal?
I have two pedals with a noise-gate function, which behave differently.
Ibanez SM7 gives me two noise-gate modes, both cut down a lot of unwanted noise with some difference between them. It seems to apply the same wave-shaping to any input signal.
Rivera Metal Shaman is fully adjustable with a Sensitivity knob and Release knob to adjust the functions of the gate.
When using either pedal with a low-tuned guitar (lower than F# on an 8), or a bass I get different results.
The SM7 remains a tight uniform distortion with noise-gating whereas the Metal Shaman will completely block low frequencies. I don't remember which note is the lowest it will allow (I havent used the pedal with a bass for months), but the majority of my B string and a few notes on the lower end of the E string make No sound when the noisegate is engaged.
Any explanations? Is this a safety feature built into the higher-end rivera pedal?