<snip>and just a smidge of SSL EQ on the tracks (Hi-mid at 4K, +.25 dB, low at 400 - .75 db), and a dab of room-ish verb.
</snip>
Are you using the Waves SSL, or is it another one? How do you like it?
<snip>and just a smidge of SSL EQ on the tracks (Hi-mid at 4K, +.25 dB, low at 400 - .75 db), and a dab of room-ish verb.
</snip>
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Are you using the Waves SSL, or is it another one? How do you like it?
It's the Waves. It's very, well, touchy, but does seem to be a reasonably musical EQ. I haven't played with the comp yet.
It's down to about $750 in some places. I'll let you know about the comps after I do some bass work - ReaComp works great for drums and uses about 1/20 the resources, so I haven't been chomping to try the SSLs yet...
No, noodles, that resembles a kidney bean. Duh.
As a totally unrelated aside, I've been reading up on mic theory lately, and I TOTALLY want to grab a Presonus Fiirepod and start tracking drums. :/ After the holidays...
Yeah, it could be very interesting to see how it works out. Plus, we might like to A/B them, since we have the old version and you'll have the new one...
That will be interesting to compare. The new version has a different speaker and a high-frequency rolloff switch (not sure why you'd want that... ).