It is almost impossible to do without proper lighting.Man I gotta learn that technique to flutter on a hardtail.
It is almost impossible to do without proper lighting.Man I gotta learn that technique to flutter on a hardtail.
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These look absolutely Bussin'
I would do terrible things for a multiscale Charvel bass. I doubt it would ever happen, but it would be awesome.
To be fair for the specs and price these things are solid work horses.
Jackson has to compete with their own models on the used market now, haha. At least over here, you'd be hard pressed to find a 15 year old SL1, SL2H, or DK1 for the same price or less than the American series.But would a 15 year old USA Select with some wear be a better workhorse?...
Thats where my brain currently is.
They do pop up for reasonable prices on occasion. Especially if you're willing to do some refurbishing yourself!Ha! Apologies that was more myself thinking out loud! I've been looking at SL2s and there's a players condition one for under $2000 on reverb right now.
I love mine too but how that fat fretboard transitions into the neck shape was a little weird for me at first. I don't feel it so much going down the board but holding a position around the 3rd frets makes it obvious, especially if I get lazy and hang my thumb over it. Otherwise it's a light guitar, with a lot of tonal options (great split tones!). What I did notice the other day looking at it and my MJ Dinky side to side with an old DK2M is that the headstocks seem to be a little different. Maybe it's just a visual impression due to the missing trussed cover but they look a little more tilted and pointy. Almost more sleek. The reverse headstock on my MJ is one of my favorite headstocks ever.Got my Virtuoso in today and Holy. Lord. I am absolutely in love with this thing. Next is incredible and the build is fantastic. Review and pics to come.
Jackson has been making subtle tweaks to headstock shape since forever.I love mine too but how that fat fretboard transitions into the neck shape was a little weird for me at first. I don't feel it so much going down the board but holding a position around the 3rd frets makes it obvious, especially if I get lazy and hang my thumb over it. Otherwise it's a light guitar, with a lot of tonal options (great split tones!). What I did notice the other day looking at it and my MJ Dinky side to side with an old DK2M is that the headstocks seem to be a little different. Maybe it's just a visual impression due to the missing trussed cover but they look a little more tilted and pointy. Almost more sleek. The reverse headstock on my MJ is one of my favorite headstocks ever.