Chris
Forum MVP
Part One Of This Lesson is Here
Continuing with arpeggios for the seven, assuming you've got a basic grasp of inversions and triads. Again, these are movable. These arpeggios start in B minor, with a little fun towards the end as we move into part 3. This exercise shows how you can use various fingerings at any time within a similar neck position.
As a side note, I'll have fingerings up for these ASAP, this weekend if I have time.
B min -> G maj
A maj -> F# min
G maj -> E min
-> C# dim
Continuing with arpeggios for the seven, assuming you've got a basic grasp of inversions and triads. Again, these are movable. These arpeggios start in B minor, with a little fun towards the end as we move into part 3. This exercise shows how you can use various fingerings at any time within a similar neck position.
As a side note, I'll have fingerings up for these ASAP, this weekend if I have time.
B min -> G maj
![1.jpg](http://www.sevenstring.org/lessons/cq2/1.jpg)
A maj -> F# min
![2.jpg](http://www.sevenstring.org/lessons/cq2/2.jpg)
G maj -> E min
![3.jpg](http://www.sevenstring.org/lessons/cq2/3.jpg)
![4.jpg](http://www.sevenstring.org/lessons/cq2/4.jpg)