Lickers
Destroyer of venues
this entire thread is about opinions and personal preferences so im not quite sure what you're trying to say there.
^ taken from the first post of the thread.
i think you're letting your own opinions of Chuck and Dime get in the way, if you notice im probably the fourth or fifth person who has mentioned Dime as being overrated.
saying they wrote a cool riff here and there isn't naive, its my opinion. just because they were innovators doesn't mean i have to regard them as legends or enjoy their playing.
My feelings are irrelevant as I'm looking at this objectively. Which is my point.
Please don't feel I'm making thie personal as there have been other detractors - none have really replied as much as you. I genuinely thought you were being 'controversial' in your earlier post, hence me quoting it.
What I'm trying to say - or more accurately, what I'd hope to see is that people would either give an empricial reason as to why said guitarist was over-rated.
What could be a very interesting topic is currenlty being debased with conjecture and is doing us all no favours at all. I've learned a few new things in this thread and I'd like the opportunity to learn some more.
There's plenty of guitarists that I think aren't up to much in many repsects for a variety of reasons, but they have the requisite ability and quality of output to have garnered the success from the market and more importantly, their peers.
I've not mentioned any guitarists up to this point, purely because I didn't feel there was any real need to. However, as an example...
...I was a huge Metallica fan as a kid (the reason I got into playing in the first place) so have a huge amount of respect for both James and Kirk - moreso James as I identified with his playing and writing abilities more than Kirk.
As far as I am concerned, both of these are now shadows of their former selves. If they were to break through now, most people wouldn't give them a second look.
James has oversimplified the core of the songs and his writing and has lost the edge that he had over any other rhythm guitarist/songwriter in the genre. There were some excellent technical moments of the black album but these have been few and far between since then. Load and Reload were especially poor when directly compared to their predecessors.
Kirk has proven to be exceptionally lazy over the years. He is relying on the same technique and approach (especially live) with virtually exclusive use of pentatonics and wah pedal as a filter to mitigate poor fretting and note choice for the last 15 years or so. Even his rhythm playing has taken a step back.
However, I respect the fact they are responsible for some amazing music and performances over the years so I can't wholeheartedly judge them on based on their current output.
AJFA was essentially the last true Metallica record. The intelligence of their compositional ability has very much been diluted which is no doubt a a result of the loss of Cliff (who was very influential and skilled in this area) and appealing to a more mainstream market following the success of their self-titled 'black' album.
It's a shame, but there's plenty of other good music out there to enjoy and it won't stop me enjoying their earlier work which is rich in excellent music