TedEH
Cromulent
Cool to hear. Considering going to see that one this weekend.
I fucking hated Hold the Dark. I loved his previous films but that movie was kind of a mess as far as telling a coherent story. It did have some excellent effects and cinematography though.After reading a couple reviews, I went straight to the spoiler threads/videos for Glass cause they're wildly entertaining. Let me just say, I'm interested to hear your reactions to that one!
I keep watching horror movies even though it seems like every movie I love these days is NOT a horror movie.
Hold the Dark (netflix) - this is the third movie from Blue Ruin/Green Room guy, so once again it's unpredictable and contains some hideous violence. This time Jeffrey Wright is hired by Riley Keough (whose husband, Alexander Skarsgard, is currently at war in Iraq) to kill the wolf that stole her child. Things do not go as planned, and let's just say the literal wolves quickly fall by the wayside. It takes place in the far reaches of Alaska, so it's always dark. It's really moody, has a GIGANTIC body count, does feel like a horror movie sometimes, and is pretty highly recommended if you're looking for something different. It's a lot slower than his last two.
The Fourth Kind - I heard this was a brilliant found footage movie and was really scary, but then I started it up and found Milla Jovovich was the star, and that kind of says it all! It's a faux-documentary and has some decent ideas. She introduces herself as Milla Jovovich and says she's going to be playing the main character in recreations, and the recreations are basically the plot of the movie, but they're intercut with interviews from the "real" her and archival audio of her interviews with subjects. She's got a bunch of patients that have all been seeing an owl at night, but it seems they're actually being visited by aliens, etc. It gets weird. The jump scares are REALLY cheap. A lot of people like this, I was not one of them.
The Dark Knight/The Dark Knight Rises - I've seen these a few times of course, after upgrading my TV these were about the only 4K discs I had. I liked TDKR more than TDK this go-around even though intellectually I know TDK is the better movie. The bizarrely over-complex plot was endearing. Bane's voice is so great. Anne Hathaway is the best character besides Heath Ledger in any of these movies. The climax is far more exciting than anything in TDK. The CGI sure is terrible in the part where the stadium blows up, though.
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Cool to hear. Considering going to see that one this weekend.
I fucking hated Hold the Dark. I loved his previous films but that movie was kind of a mess as far as telling a coherent story. It did have some excellent effects and cinematography though.
If i have to reference the wikipedia synopsis (which I did) to figure out what the hell is going on in a movie, then the writers have fundamentally failed at telling a coherent story. I had to rewind some parts because I didn't get why he was killing those people (ie the deputies or the trapper at the mine). I guess it could have been worse, it could have been as bad as Bird Box..Eh, i thought it was all as coherent as intended, there was a bit of intentional ambiguity with the main incident’s motive and I think that throws a lot of people off, but some of the other stuff that people might miss had obvious clues and parallels if you were paying attention (and/or had the subtitles on to catch the mumbling during things like the bathtub scene). It’s definitely slow and the structure has issues. I think the big machine gun sequence was out of place in the movie. I’d give it like 6.5/10.
If i have to reference the wikipedia synopsis (which I did) to figure out what the hell is going on in a movie, then the writers have fundamentally failed at telling a coherent story.
I just saw it. I thought it was decent. Not brilliant by any stretch, but I was entertained.I hate Glass
it really is the film's fault that it was less coherent, especially the machine gun shootout scene. There was no real explanation for his motivation, which was infuriating and made the scene basically filler.I don’t agree with that statement, as you might have to if you weren’t paying attention during certain scenes. Also, some movies just drop language or are convoluted to the point where not everyone will be able to process them equally, and the answer isn’t always to dumb them down so everyone can clearly understand them (ex, not everyone’s going to get Annihilation right away- should we have had exposition pop in during that climax?). Or, simply, something is intended to be ambiguous and has no definite answer other than what the viewer decides. Like, imagine something like Mulholland Dr being re-edited to the point where ANYONE gets it at all times and the plot is the same to everyone.
I found his motivations in each specific scene to be irrelevant, and some of the stuff intentionally left out of the book to work better that way. I saw plenty of discussion with that kind of thing when going through interpretations of this yesterday, and it’s often frustrating to me. The director did what he meant to here. If he wanted a really straightforward movie with bluntly lascivious details, he would have made it! A bunch of people were trying to assign literal meaning to EVERYTHING and explain things that weren’t meant to be explained, particularly theories being pushed aboutetc. if you really want to add those detail, great! But they aren’t there, it’s ambiguous.her molesting her son and killing him to cover it up, or the kid being a serial killer and that’s why she killed him,
I’m not saying you have to like it, it’s definitely a flawed movie, just that your reasoning that the problem is that it needed to be clear and literal is a problem with you, not the movie.
to quote a yt comment: crazy mcavoy is best mcavoy. he was perfect in Filth and splitWhen it comes to Glass, there was one of the twists that was a bit predictable, but overall, I thought it was a good movie. I wouldn't say I loved it as much as I loved Split, but I loved it more than Unbreakable. Of course, the highlight for me was James McAvoy's performances in both Split and Glass. Dude can fucking act. He's got crazy chops.
He can. Buuuut at the same time, for me at least, he's one of those actors that I have trouble seeing through the actor into the character, if that makes sense. Kind of like how the guy who does the voice for Archer / Bobs Burgers / etc (H Jon Benjamin) is great at what he does, but regardless of what character he's playing I still hear H Jon first, and the character second.Dude can fucking act.
if you like stuff like trainspotting/bronson or guy ritchie films (specifically snatch or rock and rolla) you'll like it. he's basically a deranged druggie scottish cop and it's a gloriously crazy movieNever seen Filth. Good movie? I normally trust you on movies.
if you like stuff like trainspotting/bronson or guy ritchie films (specifically snatch or rock and rolla) you'll like it. he's basically a deranged druggie scottish cop and it's a gloriously crazy movie
if you like stuff like trainspotting/bronson or guy ritchie films (specifically snatch or rock and rolla) you'll like it. he's basically a deranged druggie scottish cop and it's a gloriously crazy movie
it really is the film's fault that it was less coherent, especially the machine gun shootout scene. There was no real explanation for his motivation, which was infuriating and made the scene basically filler.
i love ambiguous films when they're done well (ie annihilation), but ambiguous is different from coherent.if the director's intentions were to make a mediocre, hard to follow thriller then he succeeded.
I don't expect everything to be explained or tied up neatly in films but when a film only addresses character motivation through mumbled and obtuse dialogue ( keough's character and the wolf trapper's line about treating skaarsgard for psychoses, both of which i had to rewind and turn on subtitles for) they have fundamentally failed.