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There's definitely a distinct 'wompy' tone from a sub-25" scale when tuned down. It's got this almost fluid nature to it and it's not as sharp and piercing as that of a standard Fender Strat/Tele. Of course, it all really just depends on the tension of your strings. You can easily get a pretty damn close effect with light gauge strings on any scale, though never exact because the length (regardless of the tension) does in fact somehow play a part. In my opinion, Scale is simply a matter of comfort and how comfortable you are fretting on longer or shorter necks. I'm looking into a Jaguar soon to add some short-scale groove to my Doom set.
EDIT: OP, please link me to your doom band's page some time when you get a chance!
Godstow has been liked on FB! looking forward to checking out what you guys put up. It's always great to see fellow doom folks from the SoFla area. Hopefully I can get back to writing for my Negative Spaceship project soon and maybe get around to making a page for it.
Right on OP. The abandonist shit was recorded on one of these. Just put it in drop-q and bong out.
Very nice!
I'm a bit odd, as I enjoy using my Thinline Tele for that doomy/sludgy stuff. I'm generally inspired the most by stuff like True Widow.
Congrats man!
A 12 for the high C# has WAY more tension than 52 for a low B, strange string tensions there A 52 for the low B on a 24.75 inch scale is darn light tension, that's for sure.
If you're happy with 12-52, stick with that, but at least upping the gauge on the low B to a 56 or 59 will increase the playability a bit (while perhaps dropping the gauge slightly on the high strings for lotsa string bending if you're into doing doom-y/stoner/sludge solos) and keep shit in tune, but if need be, it's still light enough in tension that you can do the 'bowwwwwwww' slighty out of tune thing if you hit it super hard.
If nothing is wrong with your guitar, you shouldn't have any worries trying to intonate a 59 24.75 inch scale. Beyond that,62 and upwards, you might run into trouble with some guitars (I know some people have had to flip the bridge backwards on LP-style guitars to get it to intonate properly)