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I feel like this thread is a bit short on invective, so...
What the .... is the point of just slightly modifying a 5150 and putting a couple of effects power supplies in the back of it when I can already plug my effects in anywhere, not to mention two effects loops which will no doubt suck twice as much tone as a single loop thus leaving 0 tone intact.
Seriously though, I keep thinking of buying a block letter 5150 so will definitely be looking out for the UK pricing on these, even if just in order to go "OH FOR ....S SAKE" and go back to keeping an eye out for old 5150s.
Facebook video.
So, it's basically a souped up 6505+. Has the Crunch and Lead of the 6505+, with an ACTUAL clean channel, and both gain channels have a TS-style boost/noise gate.
Great that his name's not written on it or anything too. I can't stand that about signature gear.
Yeah, I've never liked the idea of signature gear, even if it's my favourite guitarist; but every piece of gear released for the Periphery guys seems to be dripping in sensible ideas.
I wonder how this will work with 8 string drop e guitars.
The dual-input (guitar detection and FX loop in) style of the G-String and TC sentry pedals has made them a real headache for keeping a simple FX board that I can use through amps and into my laptop alike; palming that off to an amp would be super-convenient (I have VST gating in Ableton) - does this amp's gating giving the previously-mentioned pedals a run for their money?
I would love to drop a noise-gate off my travelling pedalboard if possible!
Also, am I right in thinking the 5150 II/6505+ are known for have more upper-mid focus and the 5150/6505 more of a low-mid focus?
In that sense, this amp would grab the II in channel 3 and the I in channel 2?
Please correct if I misunderstand! Cheers
I feel like this thread is a bit short on invective, so...
What the .... is the point of just slightly modifying a 5150 and putting a couple of effects power supplies in the back of it when I can already plug my effects in anywhere, not to mention two effects loops which will no doubt suck twice as much tone as a single loop thus leaving 0 tone intact.
Seriously though, I keep thinking of buying a block letter 5150 so will definitely be looking out for the UK pricing on these, even if just in order to go "OH FOR ....S SAKE" and go back to keeping an eye out for old 5150s.
Man I think the opposite that this amp is right to the point .
The point being that if you are a giging modern Metal player who brings an amp , switching system and several pedals or rack pieces to a show this amp would cut down on all the .... to carry around.
On top of that there isn't really a clean tone to be had with the original 5150. This amp having a full clean channel and even a switchable volume boost for solos really covers a lot of ground of what you might need in a live situation .
I just hope the tone is there and that it's as good or possibly better than the original 5150 . One thing to also keep in mind is that the loop on the original 5150 and 5152 is pretty transparent. It's actually better than a lot of "boutique" amps so I also have my fingers crossed that they used that same design or even improved on it.
I could see myself preordering one of these from MF or Sweetwater. Maybe Misha can clue us in on when these will be showing up at dealers.
I'm not worried about the tone or the loops at all. I'm just wondering how much these suckers will $$$, since it's essentially a 5150 with ALL the features that a 5150 doesn't have
What is the point? I have been using a 5150 II almost 20 years, because it is the sound I want and my pedal board for about 10 of those years has been:
guitar>turbotuner>maxon808>keeley 4 knob>Decimator II>amp
Loop in>7 band EQ>Boss Line Selector in loop mode with a Carbon Copy delay in that loop>effects in
A PP2+ powers it all.
That is 7 pedals to get the rhythm channel working the way I want and then I basically had to add a boost/lead channel with the line selector for solos. I love my amp but anything that would cut this down would be a god send.
So, if the Invective is just a modernized 5150 with a usable clean channel to boot I will be one of the first people in line to get one. It has taken Peavey waaaay too long to do this if you ask me.
I can't wait to hear some demos ! I'm currently looking at buying a 5150 iii 50w, but this could be a challenger, depending on the pricetag and sounds
That is because L&M does not carry Peavey for some reason.
Hmm I wouldn't say that, CH2/CH3 started life as the Green and Red Chans on a block letter, but we focused on the gain since the green channel was never really a clean channel. We also tweaked everything from there, but I would say it would be selling it short to call it just a 5150/5150II.
You seem to really dislike the idea of the amp. But just keep in mind that the amp's tone is the most important factor for me. At every juncture, and with every feature, the first question I was asking was if this would affect the tone negatively. The features you don't like or care for, you don't have to use. The loops by design are ULTRA clean and don't color the sound on or off.
Maybe this won't end up being the amp for you, but I would urge you to keep an open mind and actually try one before writing it off. You might be surprised!
I'm not really sure when these will be showing up at dealers because we literally just finished the latest revisions in time for this to show at NAMM, but the plan is to get all of this rolling ASAP!
Also, just so you know, by comparison, the 5150 is a pretty noisy amp. The engineer who I worked with on this, John Fields, told me how excited he was to finally get an opportunity to try to clear that up as much as possible. It's not quite as straight forward as it sounds because we had to clean it up without compromising the overall tone, and that was a time consuming process with a lot of A/Bing and testing to make sure we were only improving on the amp!
I think you understand EXACTLY why I wanted to make this amp haha.