Billy Qvarnström
New Member
Hi!
I recently got a string set from Kalium/Cirkle K with a .200 bottom string, intending to tune an octave below the guitar that I use. However, the sustain is terrible on anything but the open string and there's not a lot of clarity in the notes.
What's strange is that before getting these strings, I managed to tune the B string to a very clear sounding G, 4 semitones away from E, using a .130 string. So I was thinking, would I get a more satisfying result if I got a slightly lighter string?
For reference, Nolly Getgood of Periphery uses (at the time of his gear rundown video) a .175 for F# (Then again he's got a 37" scale), and I believe Travis Sykes used around the same gauge for D on a 35" scale when he played with Glass Cloud.
I'm using a Woodo B6 bass with a 35" scale. Any and all tips would be greatly appreciated, worst case scenario I'll have to go back to the same octave as the guitar but I'd like to avoid it if possible. Thanks in advance guys!
I recently got a string set from Kalium/Cirkle K with a .200 bottom string, intending to tune an octave below the guitar that I use. However, the sustain is terrible on anything but the open string and there's not a lot of clarity in the notes.
What's strange is that before getting these strings, I managed to tune the B string to a very clear sounding G, 4 semitones away from E, using a .130 string. So I was thinking, would I get a more satisfying result if I got a slightly lighter string?
For reference, Nolly Getgood of Periphery uses (at the time of his gear rundown video) a .175 for F# (Then again he's got a 37" scale), and I believe Travis Sykes used around the same gauge for D on a 35" scale when he played with Glass Cloud.
I'm using a Woodo B6 bass with a 35" scale. Any and all tips would be greatly appreciated, worst case scenario I'll have to go back to the same octave as the guitar but I'd like to avoid it if possible. Thanks in advance guys!