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Ummmm..... YES PLZ!!!
Since you asked nicely, here are my two .This thread needs to be kept alive!
There is no shortage of beautiful PRS
Man, I still can't get over those stop bars. They're just so jagged and angular looking. I'm sure they sound and feel great (Paul is too much of a perfectionist for them not too.), I just think they ruin the aesthetics, and in this arena, it matters.
They feel better than any TOM bridge I have played on.Man, I still can't get over those stop bars. They're just so jagged and angular looking. I'm sure they sound and feel great (Paul is too much of a perfectionist for them not too.), I just think they ruin the aesthetics, and in this arena, it matters.
The adjustable stopbars look better IMO
They feel better than any TOM bridge I have played on.
Thinking about putting an uncovered Tremonti bridge pickup in this SC58, if I can find one with the new square bobbins.
Found a pretty unique PRS and will be making it mine as soon as I get the funds from a sale today! SON I AM EXCITE!
I love those Akesson guitars. So classy looking and sound fucking amazing!Tried out the Akesson model over this weekend and holy LORD, that man is insane with not only how thick the body is but the neck itself is a baseball bat I was surprised at how much of a contrast it was to Mikael's, which the last one I played, was really light and had a thin neck to it and felt great. It's also a shame that the quilt is so dark, I could see it up close but as I was walking towards it I thought it might be a Tremonti.
The bird stuff was Fredicks idea so we went with it. I don't mind it but it definitely grew on me over time and having to play hundreds of them.Yeah, they do look nice/sound great, although I'm also surprised by the birds material on the dark rosewood board; you could see it but much like the quilt, it's rather surprising how much it blends and leaving you wondering "Why not go an outline in white?"