Seven-string Capo?

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The Dark Wolf

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I use a capo at times, too. Mainly to send my drop-tuned guitar back up into standard-tuned areas, although it's generally not super necessary, what with my whacky tuning.
 

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Drew

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This thread is one of the best I've read in months here. :lol: And Darren, I'm so stealing your amp.


Well, on one hand, capos are for whiny little bitches who play folk guitar and can't play bar chords. On the other hand, a capo should be in the gig bag of anyone who spends any amount of time in a recording studio, home or otherwise. There is a distinct timbral difference between an "open" note (with or without a capo) and one played with a bar, and layering tracks played open with tracks played with capos in different positions can sound absolutely lush.

So, you should have a capo not because you need one, but because of the different tonal possibilities. :agreed:

And fuck you Chris, I want an e-bow. :lol:
 

Sentient

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Drew said:
Well, on one hand, capos are for whiny little bitches who play folk guitar and can't play bar chords.
Ouch. I let the whole thread go up until that line, but that hit a nerve, and 'twas the straw that broke this camel's back...

While I rarely use them on an electric, I have two capos that I alternate between frequently on my acoustics. I use a Shubb C-1, and a Kyser Quick Change. While I like the quality of the Shubb better, the Kyser gets used more, as it's just easier to get on & off quicker, and can be easily parked on the headstock when not in use.

I started using a capo several years ago when I discovered the incredible fingerstyle of Lindsey Buckingham, and began learning stuff like "Landslide" and "Big Love" (live acoustic version). I love using them. The intro to Hotel California is one of the most beautiful uses of a capo (thanks Roger), and just wouldn't be the same without one.

Make fun of it if you want, but you slap a capo on the 3rd fret of a sweet sounding acoustic, and play "Landslide" for the lady of your choice, and then see what SHE thinks of a capo. Chicks may dig guys that play guitar, but they REALLY dig guys that play guitars with capos. :lol: :fawk:

Lindsey Buckingham->:nutkick: <-Drew

[action=Sentient]knows bar chords AND uses capos and is NOT a whiney little bitch. :fawk: [/action]
 

Chris

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Sentient said:
Lindsey Buckingham-> <-Drew

So much so. LB rips. :metal:

[action=Chris]is with Sentient on this one[/action]

[action=Chris]is also a big Fleetwood fan.[/action]
 

Drew

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Sentient said:
Ouch. I let the whole thread go up until that line, but that hit a nerve, and 'twas the straw that broke this camel's back...

:lol:

While I'm not saying I don't deserve everything that followed that sentence, I'd just like to point out that

1.) I said that tongue-in-cheek, and
2.) I also own and use a Kaiser Quick-Change - I think a capo shouldn't be used as an excuse NOT to learn bar chords (see any folk guitarist playing at your neighborhood coffee bar), but as a tool in their own right... Well, let's just say Porcupine Tree's "Trains" sounds a hell of a lot better with a capo on the 5th than with me barring the 5th and playing the chords with the rest of my fingers. I CAN do it, but the question remains, why.

So, don't worry, I'm just being my usual wise-ass self, but deep down inside I do agree with you. :wub:
 

Shawn

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Chris said:
So much so. LB rips. :metal:

[action=Chris]is with Sentient on this one[/action]

[action=Chris]is also a big Fleetwood fan.[/action]
:agreed: Lindsey Buckingham can write some great songs.

My mother has a capo for her Yamaha acoustic. I've messed around with one before playing on her acoustic but never on a seven string.
 

Mastodon

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Chris said:
Only if you think that picks, amps, pedals, effects and straps are for lamos as well. Anything that expands/augments your ability on your instrument is never a bad thing.

Psh. All that gear IS for lamos. I pick with my face, amplify through my throat, make affects with my colon, and hold my guitar to my body with my uber abdominals!
 

bostjan

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Mastodon said:
Psh. All that gear IS for lamos. I pick with my face, amplify through my throat, make affects with my colon, and hold my guitar to my body with my uber abdominals!

I used to pick with my teeth, but i leave the colon effects/pyrotechnix to my drummer. The guy is a human flame pot.
 

calumfmetal

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here's a capo that worked pretty well on my 7-string. I tuned my ESP LTD SC-607B to Drop A then stuck my capo on the 1st fret, and then BAM! I was in 7-string Drop A#. Makes recording a lot easier if you ask me! :metal:

Dunlop_Trigger_Capo_Acoustic_Curved_Nickel_83CN_orig_1775.jpg
 

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calumfmetal

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Dunlop_Trigger_Capo_Acoustic_Curved_Nickel_83CN_orig_1775.jpg


Here's a capo that worked pretty well on my 7-string. I tuned my ESP LTD SC-607B to Drop A then stuck my capo on the 1st fret, and then I was in Drop A#. It makes recording a lot easier somehow!
 

Given To Fly

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I don't think these were around in 2006:
G7th | The Capo Company
Though they don't make a 7 string model, the 12 string model works on my RG2228 and 7 string classicals. Also, if you don't lose it, it will be the last capo you ever buy....unless you are one of those people who uses lots of capos.:coffee:
 
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