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Who would be your British luthier recommendations, Max (and everyone else)? Any standouts? Thinking I might be able to do some selling and afford something a little higher.
Jaden Rose (or at least a couple years ago) and Daemoness are the SSO flavour luthiers from the UK. Apart from that there's a bunch of good ones like Chris Larkin, Tom Waghorn..
I wouldn't be surprised if they folded. It happens with small builders, especially those who look to cater almost exclusively to niches.
I don't remember anything bad going down, but then again they were never super popular around here.
What did he say? I haven't been following all the channels.Given what Jaden has said regarding the Siggery situation, I don't think I'd really want to work with him. Shame, his guitars seem great.
If they hadn't already gone up on eBay, like it happened with BRJ.If Marty really had any inclination to try and better the situation he could send people the materials he purchased for their build (they were always "almost complete" right? ) and let the customers finish the build with a different luthier. Even if it's just a body and neck blanks, that's better than nothing.
What did he say? I haven't been following all the channels.
If they hadn't already gone up on eBay, like it happened with BRJ.
It's linked a few pages back.
The typical "building guitars is hard, customers are annoying" bull.....
There are actually more success stories than failures, it's just they don't get as much press.
Given what Jaden has said regarding the Siggery situation, I don't think I'd really want to work with him. Shame, his guitars seem great.
That's not an excuse for the established builders to price gouge (As some of them definitely do)
Is paying upper four to five figures for a Fodera, Alembic, Conklin, Toone, or Lawrence a lot of money? Damn right it is. But if you notice those shops consistently put out world class instruments on consistent schedules with no drama, and the instruments they make are unique.
That is usually the case, but I think many people assumed a guy like BRJ was pretty much at this tier, and then he shat the bed spectacularly. (and didn't he ship out a few lemons before the thing hit the fan?). Also, though he's not exactly an old stalwart ViK seems to be flaky as all heck with his customer priorities.What you're paying for is, essentially, a guarantee. A promise that there is pretty much less than a .001% chance of the builder running off, screwing up the specs, or delivering an inferior product.
I don't believe any of the long standing, high end shops/builders price gouge.
What you're paying for is, essentially, a guarantee. A promise that there is pretty much less than a .001% chance of the builder running off, screwing up the specs, or delivering an inferior product.
Not to mention those shops usually put out products you can't get anywhere else, which has a premium of it's own.
Is paying upper four to five figures for a Fodera, Alembic, Conklin, Toone, or Lawrence a lot of money? Damn right it is. But if you notice those shops consistently put out world class instruments on consistent schedules with no drama, and the instruments they make are unique.
Established builders shouldn't have to lower their prices to compete with the new guys, the new guys should increase their quality until they can command what the established builders can deliver.
That is usually the case, but I think many people assumed a guy like BRJ was pretty much at this tier, and then he shat the bed spectacularly. (and didn't he ship out a few lemons before the thing hit the fan?). Also, though he's not exactly an old stalwart ViK seems to be flaky as all heck with his customer priorities.
So yeah, it's a perceived guarantee, but there's never going to be an actual guarantee of anything ever. People go crazy, lose their motivation, hit bad times, etc. all the time. I'm holding out for Rob of KXK, but I'm not seeing much output from him lately, and that 8-string run is what, four years in the running now?
I was more thinking of the guys who build five figure Les Pauls and never change the design, build in all the old flaws etc. I have nothing against Toone et al.
Anyone who didn't see the BRJ thing turning into a .... show was either stupid, naive, or too blinded by the price.
There were serious red flags from the get go, not to mention anyone in the big guitar circles knew Bernie was know for being kind of a jerk, who at best was a little dishonest and at worst a scammer...which he showed the world pretty soon after.
Check that thread from the beginning, stuff gets murky really fast.
As for KxK........that's the .001% I was talking about. That said, he's supposedly still building, and he never listed a completion date for those builds. He wasn't exactly known for being quick so it's not like anything was misrepresented. In a twist of fate Rob's business dropped off dramatically after the BRJ stuff went down and folks were afraid to go for budget builders just long enough to mess up the good guys like Rob.
Those guys have a market too. I think guys like Grosh put more into a guitar than most other builders. They might not make something cutting edge, but you can't question the quality and attention to detail.
Anyone who didn't see the BRJ thing turning into a .... show was either stupid, naive, or too blinded by the price.
There were serious red flags from the get go, not to mention anyone in the big guitar circles knew Bernie was know for being kind of a jerk, who at best was a little dishonest and at worst a scammer...which he showed the world pretty soon after.
Check that thread from the beginning, stuff gets murky really fast.