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Oh, so the body and neck are bound then. Probably help if had read that earlier! : ) Anyways. As long as it's not paper thin and 1-2mm thick it should work out pretty well for looks. That paper thin stuff is what can be an issue because if you get a dent then it goes right thorough and is hard to fix if wanted, or if you wanna refinish the guitar it's almost impossible. If it's 1-2mm then it should be ok for that types stuff.
Still a kick ass looking guitar though. Looks like a great guitar for the money really. Even without any top it looks like a deal. Still very interested in these.It is basically paper thin.
I can see the body wood color differences through the top veneer on my A1.6FB between the pieces glued together.
The top veneers are strictly for looks on all Solars.
Still a kick ass looking guitar though. Looks like a great guitar for the money really. Even without any top it looks like a deal. Still very interested in these.
What happened to your post? I don't see anything?
I must have accidentally delete it when I went to edit. or something. Are you talking about that top picture I put up?What happened to your post? I don't see anything?
No I'm talking about this post that is blank... https://www.sevenstring.org/threads/solar-guitars-by-ola-englund.326469/page-118#post-5148947I must have accidentally delete it when I went to edit. or something. Are you talking about that top picture I put up?
I deleted it. It had a really thick flamed maple top body in it.No I'm talking about this post that is blank... https://www.sevenstring.org/threads/solar-guitars-by-ola-englund.326469/page-118#post-5148947
Ever since seeing a Jackson PC1 in natural I had a soft spot for naturals with gold hardware. However, I am pretty biased against cheap imports -- nothing wrong with them if that is all that you can afford but I don't own a lot of guitars now I and I tend to go for quality over quantity. At one point I owned like 6 LTD's, a few boogie street exclusives and like 1 USA Washburn and 1 Japan ESP. I got rid of all of them because I felt like there was no point in owning so many lower end guitars and now only own a few USA Jackson Misha guitars. I kind of want one of those though....are they trash quality?
Edit: I am not trying to sound like a shit poster by any means just trying to gauge the quality of solars.
On par with Charvel?
I now believe that the most important thing above all else by a very wide margin is finding a guitar that at its core is constructed with the best materials your money can buy and use the best process that is currently known and in that way, anything else like finishing work can be easily corrected later IF needed...My Mexican Charvel DK24 has worse fret ends than my Solars but some similar finish inconsistencies.
I’ve found out that current guitars in the ~1000€/$/£ price range are great spec wise but there’s always a chance of some finish and qc issues.
I now believe that the most important thing above all else by a very wide margin is finding a guitar that at its core is constructed with the best materials your money can buy and use the best process that is currently known and in that way, anything else like finishing work can be easily corrected later IF needed...
If you follow that you can never be disappointed with that guitar, and you can only be possibly irritated for a limited amount of time if the rest isn't perfect as most things in life aren't.
In the end, you will have the guitar you had hoped for no matter how bad the little things are because you hoped you wouldn't have to deal with them but they are easily corrected if need be...
Those issues go well beyond what I consider to be "finishing work".I kinda disagree with that statement. It's really frustrating to get a guitar that has issues from the beginning. That's why I now skip most large selling companies.
I bought a Jackson HT-6 pro 2 years ago and this guitar had so many issues, that it was frustrating. The shop where I got it told me they will fix it. The Frets needed to be leveled and after a while I've noticed that the bottom E string was not well aligned. There was also electronics failure.
I also bought a Chapman MLV pro 2 years ago (online). My luthier told me the neck was slightly warped and that the nut (floyd rose) was set too high. He fixed it, but it was still not perfect.
I had an Ibanez AZ premium who was great for playability. But there were some flaws on the finish and tuning stability (nut).
I've paid (in CAN $), 1200$ for the jackson, 1600$ for the chapman and the Ibanez was over 2000$. This gets me to why some brands don't have issues ? Ever heard issues from Fender, Musicman, PRS (even SE) ??? I had a 2013 American deluxe Strat (1500$ CAN) that was spot on! Would you get your brand new car back to the seller or to another garage to fix it if there was issues?
I'm not saying all Brands are bad. Honestly I haven't played any solar yet (but I will). But QC issues makes me go away. I will never buy again a Jackson because of that.
The kids these days are actually the ones who are all about reverse headstocks. Boomers would get an aneurysm if they see this.To be fair, reverse headstocks should be the standard and it’s the kids these days that are wrong.
The kids these days are actually the ones who are all about reverse headstocks. Boomers would get an aneurysm if they see this.