leechmasterargentina
Leandro
Before we start, I'd like the oppinion of people who has experience in electric guitar recording (as a musician or engineer), mostly with real amps in studio, and that has heard recordings fully made with POD HD500 (or X3, XT for the matter).
For several years I've recorded at home as well as in studio and most of the times I've used a Fender Deluxe 112 amp using nearly crappy dynamic microphones with decent results. I play Metal and this amp has given me good results. The only time I didn't record using an amp I used Guitar rig, but took me several hours of tweaking plus using my Fender's clean channel as preamp cause going direct using a generic preamp sucked in sound.
Some months ago I bought a POD HD500. My plan was to record as I was doing with a Korg AX3000G, mike the Amp and record another channel with the direct sound of the Korg going out the remaining output. I not only got the POD, but also bought a Shure SM57, Audio Technica AT2035, and a Rode NT1-A, the 2 lasts being condensers.
I was planning to do the same, mike the amp, direct from an S/PDIF with an amp emulation to interface input. But today I was testing the POD fully direct, with direct output configuration so I could use full emulation of amps (Cabinet/mikes). I tried the Mesa Boogie and the tone/sound is great. I've always avoided emulation cause at some point it sounds digital, emulated and plastic, but now I'm tempted to record guitar tracks this way.
The thing is I either have to go with amp miked, or direct recording because of the modifications in signal the output choice in the POD does, for optimum sound.
I'd like to hear the oppinion of something who's experienced with PODs as well as real amp recordings. I don't wanna re-record guitar tracks afterwards because they sound too digital...
For several years I've recorded at home as well as in studio and most of the times I've used a Fender Deluxe 112 amp using nearly crappy dynamic microphones with decent results. I play Metal and this amp has given me good results. The only time I didn't record using an amp I used Guitar rig, but took me several hours of tweaking plus using my Fender's clean channel as preamp cause going direct using a generic preamp sucked in sound.
Some months ago I bought a POD HD500. My plan was to record as I was doing with a Korg AX3000G, mike the Amp and record another channel with the direct sound of the Korg going out the remaining output. I not only got the POD, but also bought a Shure SM57, Audio Technica AT2035, and a Rode NT1-A, the 2 lasts being condensers.
I was planning to do the same, mike the amp, direct from an S/PDIF with an amp emulation to interface input. But today I was testing the POD fully direct, with direct output configuration so I could use full emulation of amps (Cabinet/mikes). I tried the Mesa Boogie and the tone/sound is great. I've always avoided emulation cause at some point it sounds digital, emulated and plastic, but now I'm tempted to record guitar tracks this way.
The thing is I either have to go with amp miked, or direct recording because of the modifications in signal the output choice in the POD does, for optimum sound.
I'd like to hear the oppinion of something who's experienced with PODs as well as real amp recordings. I don't wanna re-record guitar tracks afterwards because they sound too digital...