Jack White
Matt Bellamy
Steffen Schackinger
Tom Morello
Paul Gilbert
Matt Bellamy
Steffen Schackinger
Tom Morello
Paul Gilbert
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Friday Night in San Francisco is an amazing album.Al Di Meola/John Mclaughlin/Paco De Lucia- Upon hearing Friday Night in San Fransisco, I found some of the most passionate virtuosity and admirable technique I've ever heard. This in part caused me to forsake sweep picking, focus on strict alternate picking, and I now practice and play on a steel-string acoustic.
Allan Holdsworth- First, legato. He's one of the big reasons that I work so much on my legato technique. His stretches have inspired me to work on my own reach. His unusual chord voicings have had a profound impact upon me, as I now constantly toy and compose with unusual chords, and unusual voicings of chords. His use of unorthodox and extremely varied tonalities is something I admire very much. His vibrato is one of the few guitarists vibrato that I wish to emulate, and I'm currently working a bit on developing control over it with the side-to-side technique that he (and classical musicians) uses. An absolute master of the instrument.
Jon Schaffer- His fast, percussive picking style is something I've enjoyed since shortly after first picking up the guitar. Even after being introduced to jaw-dropping virtuosos, Schaffers picking hand still impresses me.
Martin Hagstrom/Fredrik Thorendal- Made me think differently about what you can do with meter, taking 4/4 and cloaking it. Their music is unique, and the long, intricate passages of I especially intrigue me.
Michael Angelo Batio- Changed how I thought about clarity and speed. Perhaps my biggest drive to technical perfection is my admiration of how staggering even a simpler scale run becomes with such clarity.
This list generally deals more with technique than composition, although most in this list did influence my composition as well, but that list would be much longer and would go far beyond guitarists.