nyck
blah!
I have a question. Ok so you hook up the trigger pad to the acoustic bass drum, then what do you plug the trigger pad into?
This site may earn a commission from merchant links like Ebay, Amazon, and others.
Everytime I play a fast fill on an electonic kit in Sam Ash I feel like a cheater. The rebound difference is immense.
I have a question. Ok so you hook up the trigger pad to the acoustic bass drum, then what do you plug the trigger pad into?
For many metal bands though, volume dynamics tend not to exist, especially for drums in the faster metals. So for this reason, and for consistency of sound, I understand and accept why triggers are used.
<rant>
What I don't understand, and cannot accept, is the seemingly non-exceptance of non-acoustic electronic drums (like the v-drum) ini the metal world. Seems like this would make life easier across the board, and introduce some other sound potentials.
Currently, the drum situation in modern metal can be likened to a metal rhythm guitar trying to get a good sound by putting an Invader in an Ovation acoustic and running through a **** (<----feel free to insert your metal amp of choice). Will it work, sure. Does it makes sense? Eh, not an much.
IMO There's nothing wrong with triggering samples using a human clock. Given the choice I'd take this to straight sequencing ANY day, even in lieu to DFHS, which does a scaringly good of emulating human timing dynamic (notice I didn't say 'volume', again because, in metal, you don't see it "as much").
</rant>
I do think it's pretty funny when I hear drummers knocking down anyone who uses electronic drums when every other instrument in their band is electric.
The possibilities enabled by electronic kits for some original combinations of percussion sounds seem under-explored.