I use drop A...I want a baritone scale 7 though, so I can use drop F#, since F# Minor is my favorite key...and since I play djent, I need an open low F#...
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I play around from dropped G to drop A on my 7. I was suprised to not see many 8 stringers on this thread. Dropped E fror that bad boy when I'm trying to djent. When I want more melodic down tuned stuff I usually go to dropped F# or F# standard. Stephan carpenter FTW!
Main guitar : Bb standard, my band also plays that tuning No2 : B standard, mostly used to play along instructional video's and backing tracks . No3: Fixed bridge, and mainly used for playing Periphery, Keith Merrow, Sikth type stuff with various odd tunings,
On my acoustic though I switch tunings a shit ton. I have used Open C, Open D, Open Dm, Dadgad, DGdgad, open G, Drop C, B standard, Drop B, Cgcgce... lol I really wish I had a tremelno, or that I bought a hardtail rather than a 7620. Still love it though.
I was using standard tuning for a while but found I was going nowhere. Now I have my UV tuned to: Bb F Bb Eb F Bb Eb. (Basically DADGAD for a 7 string tuned half step down with a high Eb). So far so good. Tesseract seem to make great use of this tuning as well.
Drop A here. I need to know which notes I'm playing at all times, and I don't play 7 string guitars very often, so it is easiest for me to know what I'm doing when I can think of the 7th string as a duplicate of my regular A string. Makes transcribing a keyboard part or learning something from standard notation much faster for me.
F# B E A D F# B standard baritone tuning for a 7. Makes my riffs sound pretty dark and big, but I like the warmness of my solo's with this type of low tuning. btw this is on all of my 7's