Been looking at a new bridge pickup for my mahogany bolt on in drop C. The pickup that is currently in it is a stock unbranded ceramic one, sounds cheap. I'm really looking for a massive chrushing but tight sound. Which one of these (or others, just no BKP or actives) would do?
You could also hardwire the HF tilt so it's always on so you dont need to waste a push pull, if you have 2 pots then you're going to need the both of them to use all 3 voices.
I've only played the classics in either mahogany bodies or in aristides' so I dont know how if they would be too bright...
No I wish!
He's probably the best metal oriented dutch guitarist out there so I follow his work quite a bit. Really neoclassical in his solo stuff and plays for the death metal (?) band Aborted that I dont really care for. But he used the classics with that project aswell, switched to merrows now.
I thought about the anthracite too but upon seeing the red in person I decided to go with that one.
I have really sweaty hands so i can only use black hardware or it'll look like shit after a year. Black nickel was my second choice but nickel again wears insanely fast for me.
I was wondering if it's possible to wire a set of classics with a 5 way rotary switch instead of a tone pot in combination with a 5 way blade and a volume push pull to get this scenario:
Volume push-pull: HF tilt on/off
5 way rotary:
1. Voice 1
Bridge
Bridge + neck voice 3
Bridge + neck
Neck...
Is it possible to wire the HF tilt to the tone control potmeter (not the pushpull function) instead of the normal "tone control" circuit.
I never use my tone pot anyways so I figured playing with HF tilt a bit will give me more options.