minorseventh
Well-Known Member
i had an AMT ss-30 awhile ago and kind of wish i didnt sell it. but... i felt it was sounded good for sheer brutality, but totally fell apart for lead playing.
ive been really checking out the RG13 clips, but I seriously hate demos of a product used in a fully mixed and multitracked song context. ya know. i want to hear the pedal! not someones compositional and micing skills. (and not the Tone King's excited strumming either)
the closest contender to the RG13 looks like the AMT ss-11b, so Im looking into those too, providing they have a bit more gain on tap than the SS-30 did.
just wondering which would give up more of the goods. ideally I was hoping to find one box could do really tight and dry crunch tones, as well as liquid leads.
both function as a preamp, and both appear to be made for direct recording or even headphone usage, which is my goal here, rather than just a distortion pedal.
so can anyone compare?
ive been really checking out the RG13 clips, but I seriously hate demos of a product used in a fully mixed and multitracked song context. ya know. i want to hear the pedal! not someones compositional and micing skills. (and not the Tone King's excited strumming either)
the closest contender to the RG13 looks like the AMT ss-11b, so Im looking into those too, providing they have a bit more gain on tap than the SS-30 did.
just wondering which would give up more of the goods. ideally I was hoping to find one box could do really tight and dry crunch tones, as well as liquid leads.
both function as a preamp, and both appear to be made for direct recording or even headphone usage, which is my goal here, rather than just a distortion pedal.
so can anyone compare?