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Is that what I think it is in the bottom left? Your bodyless design that was talked about some time in the early 1800s (or at least it feels like that long ago)? If it is then it's not what I'd have expected but it appears at that stage to be very ergo, and so automatically it's very cool
I didn't know you have plans for acoustic models too. With fanned-frets and 8-strings, very cool. I'm curious about what kind of soundboard bracing you're thinking of. Have you ever looked into some of the modern acoustic/classical bracing systems like Kasha/Schneider or that Auzzie guy (Smallman?) who does the honeycomb style bracing?
One question though. Where did you get those single string guitar bridges? I only saw the ABM bass-like ones, did you make these yourself?
WOW!
what happens if you want to tune that low string up a little or if it stretches? (or would the string tension be way too high if u tuned it up?)
Ah, you mean with the step in the winding? That had GHS made Dingwall strings on it at that point, which are just a little short on that particular bass. When you stretch or alter the tuning of a string it's the core that is taking the tension, not the windings. Those windings stay in the same position. The function of the string winding is basically to add mass and slow the vibration of the string, thus lowering the pitch. Regardless, that bass is now strung with Ken Smith strings, which kick ass, and are available with a little more length.
Thanks again everyone for the kind comments!