mcleanab
Theta Sagan Swords
Anyone else on a Randy binge lately?
Started with really wanting to hear the work on the less 'popular' (I guess that's the word I'm looking for) tunes on DIARY OF A MADMAN, and it always floors me when "S.A.T.O" comes on... that song, for a studio track, sounds close to the wildness of the live work. Randy sounds almost unhinged... it's fucking excellent. The most unhinged I think I've heard is the live tracks on the Legacy version of DIARY. Some of the licks in "Flying High Again" are so crazy...
I watched part of an interview (Sweetwater) with Rudy Sarzo talking about how if Randy had stayed in Quiet Riot and not had the influence of the music in the England scene, how different his work would have been... a very interesting thought... I like to think 'pop' versions of "Flying High Again," "No Bone Movies," and "Steal Away." You know, simple structures but blazing guitar. Rudy then talked about how on DIARY, you could really hear how much Randy was experimenting harmonically/melodically on songs like "Believer," "Diary," and "S.A.T.O." I can only imagine if he had kept going in that direction...
Then went back to the TRIBUTE album and just lost my mind on the first solo of "Mr. Crowley."
At any rate, just revisiting his work and standing, yet again, in awe. I don't even remotely see the comparison to Eddie other than some tapping. Both so outstanding, but very different.
Share your favorite moments if his work influenced you and would love to hear specifics!
EDIT: Oh yeah, the story behind the quick writing and recording of "You Said It All" is great too... another 'pop' tune that points to what could have been...
Started with really wanting to hear the work on the less 'popular' (I guess that's the word I'm looking for) tunes on DIARY OF A MADMAN, and it always floors me when "S.A.T.O" comes on... that song, for a studio track, sounds close to the wildness of the live work. Randy sounds almost unhinged... it's fucking excellent. The most unhinged I think I've heard is the live tracks on the Legacy version of DIARY. Some of the licks in "Flying High Again" are so crazy...
I watched part of an interview (Sweetwater) with Rudy Sarzo talking about how if Randy had stayed in Quiet Riot and not had the influence of the music in the England scene, how different his work would have been... a very interesting thought... I like to think 'pop' versions of "Flying High Again," "No Bone Movies," and "Steal Away." You know, simple structures but blazing guitar. Rudy then talked about how on DIARY, you could really hear how much Randy was experimenting harmonically/melodically on songs like "Believer," "Diary," and "S.A.T.O." I can only imagine if he had kept going in that direction...
Then went back to the TRIBUTE album and just lost my mind on the first solo of "Mr. Crowley."
At any rate, just revisiting his work and standing, yet again, in awe. I don't even remotely see the comparison to Eddie other than some tapping. Both so outstanding, but very different.
Share your favorite moments if his work influenced you and would love to hear specifics!
EDIT: Oh yeah, the story behind the quick writing and recording of "You Said It All" is great too... another 'pop' tune that points to what could have been...
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