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How would this look if you used diminished as base and made modes out of that scale ?
How do you make modes out of a scale, is there a certain technique/method used or ?
kudos. this should be stickied.
The diminished scale doesn't have modes, as it's symetrical. For instance, A whole-half diminished (ABCDEbFF#G#) is the same as the C whole-half diminished (CDEbFF#G#AB).
All you have to do to get a mode out of a scale is treat a different degree of the scale as the tonic note, and resolve to it as strongly as possible. Diminished scales (and other symmetrical scales such as Whole-tone and Augmented scales) don't actually have a tonic as such, and so aren't really modal in nature.
Hope that makes sense.
Guy's, can you help me as this is way over my head.
I feel stupid not being able to understand what is probably an easy concept.
I'll start with the easiest one Major/Ionian, R,2,3,4,5,6,7.
Using virtual guitar I get C Major as C,D,E,F,G,A,B to me that is whole, whole, half, whole, whole, whole, half. I get this pattern with any note that I start with.
Can some one please tell me what I'm missing as I can't interpret this chart because I have no Idea what Root, 2, 3, 4, 5, 6, 7 means and why it translates to whole, whole, half, whole, whole, whole, half.
Thanks in advance.
I notice once you understand modes, you undersrand them, imo saying 'mode four of melodic minor' is almost, if not more descriptive, than saying 'lydian dominant'.