HeHasTheJazzHands
Well-Known Member
I'm liking the sound of that. Was considering getting dual PAF Pros, but I may go with the Illuminator bridge instead, or I might throw it into a PRS Mushok sig I plan on getting.
so i grabbed a JP13 at guitar center today and plugged into a 5150III 50 watt, here's a little clip of the Illuminators
Mind you I'm not a lead play so spare me the ridicule..just figured i'd throw some higher register notes in there so you could hear.
https://soundcloud.com/joe-cox-5/illuminator-test
Pre gain on 6, Bass on 6, Treb on 7, Mids on 9, Post just below 1. iPhone microphone... Presence i think on 5 or 6
My take- very tight for staccato riffing. Clearest chording i've personally ever heard from a pickup (i've never played a BKP, so cannot personally compare). I think i'm going to buy a set to replace my D-Activators. IMO, the Illuminators slay the CL/LF
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Strange - the rosewood option that used to be on the Dimarzio Illuminator 6 page has disappeared. I guess the world wasn't ready.
Am I the only one that thought his playing in the first video was garbage?
At least during those scale runs
Dude, is that unboosted? No Tubescreamer/clean boost or anything?
if it's me you're taking to, no boost. that's a 5150 III at low volume. amp and pups are tight as hell. not sure how much tightness the amp would retain if the post was turned up, but I don't think tube screamers are as vital to the EVH as they are to most other amps...it really does cover a lot of ground. (mind you I use tube screamers on my own 6505+)
Just a couple of objective cues with regards getting an idea about pickups based upon the over-simplified information you're often supplied on the web.
First: You can't break the frequency response of something as complex as a pickup down to 'bass, middle and treble', 2kHz is treble but so is 10kHz, lots of 2 will sound bitey but lots of 10 will sound very scratchy and bright. point being two pickups can approximate to the same BMT shape but be totally different.
Second: DC Resistance is one of three factors that allow you to construct a 'transfer function' (the effect of a pickup on an input signal measured from the output), and on it's own it's pretty meaningless. It can tell you how tall the peak of a pickup's response is (in terms of q factor) but without knowing L or C you don't know where that peak is, and if each pickup is made different and from different materials, the R value will have a different effect on every pickup. Higher DC value, can roughly be taken to mean tall peak somewhere, no idea where though. Point being two pickups can have identical DC Resistance and be completely different.
Third: When listening to clips of a pickup on the internet try to think about what impact the pickup itself might be having. I did a whole bunch of pickup tests and demos with seemingly vastly different pickups but using the same Axe preset and to me playing, each one was very different, they felt different, on the recordings one could possibly hear that one is subtly different to the next when played alongside one another, but if someone went away then came back and I played them a clip and said 'which pickup is that', they'd never get it. Pickups are felt more than heard, and the differences you hear, you need 100% consistensy from clip to clip in terms of the setup and even the playing the hear them.
Annoyingly the words are usually the thing you need to read, more usefully from your piers than a piece of marketing copy. I'm gunna try and get hold of some of these soon, I'll post a review if I manage, I encourage others to do the same beforehand to help me decide if I'll be wasting my money! Sounds like something I'd be interested in though, I love me some attack.
When listening to clips of a pickup on the internet try to think about what impact the pickup itself might be having. I did a whole bunch of pickup tests and demos with seemingly vastly different pickups but using the same Axe preset and to me playing, each one was very different, they felt different, on the recordings one could possibly hear that one is subtly different to the next when played alongside one another, but if someone went away then came back and I played them a clip and said 'which pickup is that', they'd never get it. Pickups are felt more than heard, and the differences you hear, you need 100% consistency from clip to clip in terms of the setup and even the playing the hear them.
just installed an illuminator in the bridge of my MIJ Rg7421 and i could not be more disappointed. i'm definitely going to contact dimarzio on monday and try to get to the bottom of it. all i keep reading about is clarity and whatnot, but it just sounds so bassy. almost like a neck pickup or the stock pickups on my rg7320z. really not impressed so far. although, i have bought dimarzio pickups before that were labeled and packaged in the bridge pickup packaging and ended up being a neck pickup. on several occasions actually. hopefully that is the case here and i'm given a bridge pickup that sounds like all of the good things i've heard so far. otherwise, he's a seriously disappointed illuminator player right here.