Don´t get me wrong, but there is nothing special that sets the MSM apart from other RG Models. I like Ibanez and Marcos playing, but i can´t understand Ibanez´ Signature philosophy at all. The Artist can choose the Base Model, chance the Specs on Wood, Hardware and Finish and thats all, nothing special. Even the Meshuggah Model isn´t that far from an Stock 8 String RG.
If you look at Jackson or ESP, the Artists there get new Shapes and Stuff like that, which Ibanez doesn´t do.
So, to me, there is no need for the MSM Signature Model.
Again, no bashing against Ibanez, just what i think about the Signature Models from Ibanez.
We don't see wenge necks in America often though, we had I think that one J custom and europe has been luckier with a few premiums iirc.
As for Ibanez's signature philosphy what about things like the NDM4, FRM, SDB, MDB, and GWB? (Won't include the JEM since that sorta started their main line and Steve Vai probably can do a lot of things there). They might not have the resources like Jackson (since it is Fender music corp, not sure how Hoshino treats Ibanez) to do everything they want as well. I'm sure many at Ibanez want to do more than they can.