CLAYSHAPER
SS.org Regular
I consider the release of my debut album "Vampiric" a success. I am a bedroom musician working alone, as many of us are, writing, recording, producing, releasing and promoting music all by ourselves. The tips I've read about promotion are rarely that good or simply outdated. That's why I want to share some concrete advice everyone could have some use for.
The stats
During the first week my album got 4,400 streams on Spotify and 2000 streams on Bandcamp in the app. 61 fans decided to purchase the album for a price they found fair and 171 downloaded it for free. I earned around $200 just from sales.
Pictured: Spotify stats.
The hard truth
Nobody gives a shit about you or your 'new' music. Making good music is just the bare minimum of getting any attention at all. 2022 people are very, very, focused on the visual aspect of whatever you're trying to promote. Pure music is neither visual nor easy to access as most people on their phones won't put in headphones or start the sound just for some random guy. Good music can spread by itself, but it's so rare it's almost a myth at this point. But there are ways getting around this.
Social Media presence
My main channel of communication is Instagram. I've found that by using hashtags, following and talking to interesting people and releasing simple videos of me performing my music is the best way to reach out. Battling the algorithm is much harder on Twitter and Facebook, even though sharing links is easier on those platforms. I focus all my energy on Instagram, cross post everything on Facebook, copy paste and shorten for twitter and release longer, high quality content for Youtube to promote my music. If I have vertical video of a performance I will post it on IG Stories, TV, Reels, Youtube Shorts and TikTok.
Getting around it
If people want visual, I give them visual. I started sharing my own photographs and curated contemporary/old art I like (always got permission if it wasn't in the public domain) and transitioned into posting my own art alongside videos of me performing my music. Now people stay for the art and may give my music a chance. I've been doing this for four years and are near 22,000 followers on Instagram. Cross platform I have around 29,000 followers (Bandcamp, Spotify, Twitter, Instagram, Facebook, TikTok). I put no effort into the other ones, but they keep growing there too because of the cross posting.
Pictured: Facebook reach and Instagram reach.
Growing a fanbase
* Every platform wants to keep it's users on that platform, so I rarely use links just to see my YouTube views get inflated by a couple of clicks, for example. Build a fanbase by grinding on that platform, and call to action down the line when it matters. Don't expect to grow by spamming links.
* Content that's purely music is hard to pierce the buzz, especially extreme music. Are you a streamer? Artist? Videographer? Photographer? Do you like to cook? Lifestyle enthusiast? Dancer? Working with clay? Literally anything else that's visual can be used to boost your music. But this is just how I like do it.
* Releasing singles keeps the attention of your fans. Releasing an album creates a bigger buzz. Don't bother sending singles to journalists and reviewers, but absolutely make an effort to promote an album.
Chronological: The release
* Completed the album and put it up on a music distribution service. Distrokid is popular and has a monthly cost but unlimited uploads. I use Emubands to keep all royalties and do album uploads with one time lifetime costs.
* Claim my Spotify artist page and pitch a song on the album to their editorial theme. My song didn't make the cut, but if accepted it's huge. Do this at least a month prior to release.
* Began posting short snippets of me playing the new songs to create a hype.
* Filmed and released a music video all by myself. Posted this on Reddit and submitted the video to YouTube channels like BlankTV and Black Metal Promotion.
* Ran a small giveaway (band patches) for people who pre-saved the album on Spotify via smart.url.
* Looked up reviews of bands that sounds like me, gathered the email addresses of those blogs and news outlets. I gathered around 150 of them and blasted out a press release consisting of album art, pictures of me, the songs, a private album stream, some information about the album and my band and quotes by me about the album. This got me featured on MetalSucks and a couple of other sites. Make it easy to write something interesting about you. Bloggers love fast and easy content.
* On release I put out one more music video done with a single camera and me in the woods.
* Submitted my music to 17 metal playlisters on submithub. Was accepted by half of them.
* Ran Spotify ads on Facebook for $50 for great results. I followed this tutorial to set them up.
Ending
I have made over 30 demos on compilations and EP:s since I started CLAYSHAPER back in 2018. I know 4,400 doesn't sound like much, but seeing actual people listening to your music in real time on Spotify's dashboard is a cool feeling. Receiving comments about AOTY is also humbling. I hope you as a reader got something out of my little write up.
Ask any questions you might have, I'll answer if I can.
The stats
During the first week my album got 4,400 streams on Spotify and 2000 streams on Bandcamp in the app. 61 fans decided to purchase the album for a price they found fair and 171 downloaded it for free. I earned around $200 just from sales.
Pictured: Spotify stats.
The hard truth
Nobody gives a shit about you or your 'new' music. Making good music is just the bare minimum of getting any attention at all. 2022 people are very, very, focused on the visual aspect of whatever you're trying to promote. Pure music is neither visual nor easy to access as most people on their phones won't put in headphones or start the sound just for some random guy. Good music can spread by itself, but it's so rare it's almost a myth at this point. But there are ways getting around this.
Social Media presence
My main channel of communication is Instagram. I've found that by using hashtags, following and talking to interesting people and releasing simple videos of me performing my music is the best way to reach out. Battling the algorithm is much harder on Twitter and Facebook, even though sharing links is easier on those platforms. I focus all my energy on Instagram, cross post everything on Facebook, copy paste and shorten for twitter and release longer, high quality content for Youtube to promote my music. If I have vertical video of a performance I will post it on IG Stories, TV, Reels, Youtube Shorts and TikTok.
Getting around it
If people want visual, I give them visual. I started sharing my own photographs and curated contemporary/old art I like (always got permission if it wasn't in the public domain) and transitioned into posting my own art alongside videos of me performing my music. Now people stay for the art and may give my music a chance. I've been doing this for four years and are near 22,000 followers on Instagram. Cross platform I have around 29,000 followers (Bandcamp, Spotify, Twitter, Instagram, Facebook, TikTok). I put no effort into the other ones, but they keep growing there too because of the cross posting.
Pictured: Facebook reach and Instagram reach.
Growing a fanbase
* Every platform wants to keep it's users on that platform, so I rarely use links just to see my YouTube views get inflated by a couple of clicks, for example. Build a fanbase by grinding on that platform, and call to action down the line when it matters. Don't expect to grow by spamming links.
* Content that's purely music is hard to pierce the buzz, especially extreme music. Are you a streamer? Artist? Videographer? Photographer? Do you like to cook? Lifestyle enthusiast? Dancer? Working with clay? Literally anything else that's visual can be used to boost your music. But this is just how I like do it.
* Releasing singles keeps the attention of your fans. Releasing an album creates a bigger buzz. Don't bother sending singles to journalists and reviewers, but absolutely make an effort to promote an album.
Chronological: The release
* Completed the album and put it up on a music distribution service. Distrokid is popular and has a monthly cost but unlimited uploads. I use Emubands to keep all royalties and do album uploads with one time lifetime costs.
* Claim my Spotify artist page and pitch a song on the album to their editorial theme. My song didn't make the cut, but if accepted it's huge. Do this at least a month prior to release.
* Began posting short snippets of me playing the new songs to create a hype.
* Filmed and released a music video all by myself. Posted this on Reddit and submitted the video to YouTube channels like BlankTV and Black Metal Promotion.
* Ran a small giveaway (band patches) for people who pre-saved the album on Spotify via smart.url.
* Looked up reviews of bands that sounds like me, gathered the email addresses of those blogs and news outlets. I gathered around 150 of them and blasted out a press release consisting of album art, pictures of me, the songs, a private album stream, some information about the album and my band and quotes by me about the album. This got me featured on MetalSucks and a couple of other sites. Make it easy to write something interesting about you. Bloggers love fast and easy content.
* On release I put out one more music video done with a single camera and me in the woods.
* Submitted my music to 17 metal playlisters on submithub. Was accepted by half of them.
* Ran Spotify ads on Facebook for $50 for great results. I followed this tutorial to set them up.
Ending
I have made over 30 demos on compilations and EP:s since I started CLAYSHAPER back in 2018. I know 4,400 doesn't sound like much, but seeing actual people listening to your music in real time on Spotify's dashboard is a cool feeling. Receiving comments about AOTY is also humbling. I hope you as a reader got something out of my little write up.
Ask any questions you might have, I'll answer if I can.