Isn't this supposed to be the bridge he switched to after he cut his hand?
The bridge itself is fine, its just the saddles need to be filed. Not the end of the world, just something to be considered
Isn't this supposed to be the bridge he switched to after he cut his hand?
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I wonder if a hipshot 7 fixed bridge would work. If the bridge on this 7 is the same basic one they used on the 7620/7621s, it should be pretty much a straight swap.
Head meant on his own guitar, he either got new saddles or shorter height adjustment screws.
What is the deal with those massive gauges btw? The tone on the new album is pretty killer but I would think that big of a string would sound dull.
Komrad comes with 11-74 strings. A lot better than 10-60 for A standard, for sure.
Could not disagree more. 11-74 is way overkill and sounds muddy/boomy. When we restrung the KOMRAD20 for 10-60, it sounded 1000x better. Why would anyone want their 6th string to be a 62? Thats so excessively tight. Most people use a 42 or 46 for that. A 74 would be a suitable string gauge for an 8-string tuned to Drop E, its way over the top for "A".
Massively thick strings = less attack, more rounded/mellow sound, woofier bottom end, less vibration/sustain, just less tone all around. This is why our 8-strings sound so good, because we keep it around a 0.068.-072 which keeps it sounding like a guitar still and not a distorted bass. Korn used 10-60 for most of their career, I think Head just felt like goofing around on this one.
Been using 10-60 on my 7-strings tuned ADGCFAD for almost 15 years. Never had a problem. If it feels too loose for you, you may be picking a lot harder than you need to. Its one thing to jump up to a .062 or .064 in that case, but a .074 sounds terrible (relatively).
Could not disagree more. 11-74 is way overkill and sounds muddy/boomy. When we restrung the KOMRAD20 for 10-60, it sounded 1000x better. Why would anyone want their 6th string to be a 62? Thats so excessively tight. Most people use a 42 or 46 for that. A 74 would be a suitable string gauge for an 8-string tuned to Drop E, its way over the top for "A".
Massively thick strings = less attack, more rounded/mellow sound, woofier bottom end, less vibration/sustain, just less tone all around. This is why our 8-strings sound so good, because we keep it around a 0.068.-072 which keeps it sounding like a guitar still and not a distorted bass. Korn used 10-60 for most of their career, I think Head just felt like goofing around on this one.
Been using 10-60 on my 7-strings tuned ADGCFAD for almost 15 years. Never had a problem. If it feels too loose for you, you may be picking a lot harder than you need to. Its one thing to jump up to a .062 or .064 in that case, but a .074 sounds terrible (relatively).
Could not disagree more. 11-74 is way overkill and sounds muddy/boomy. When we restrung the KOMRAD20 for 10-60, it sounded 1000x better. Why would anyone want their 6th string to be a 62? Thats so excessively tight. Most people use a 42 or 46 for that. A 74 would be a suitable string gauge for an 8-string tuned to Drop E, its way over the top for "A".
Massively thick strings = less attack, more rounded/mellow sound, woofier bottom end, less vibration/sustain, just less tone all around. This is why our 8-strings sound so good, because we keep it around a 0.068.-072 which keeps it sounding like a guitar still and not a distorted bass. Korn used 10-60 for most of their career, I think Head just felt like goofing around on this one.
Been using 10-60 on my 7-strings tuned ADGCFAD for almost 15 years. Never had a problem. If it feels too loose for you, you may be picking a lot harder than you need to. Its one thing to jump up to a .062 or .064 in that case, but a .074 sounds terrible (relatively).
We are talking about Korn. They don't pick lightly. Head put 11-74s on Komrad to make-up for the shorter scale. If tone was all about string gauge I would totally agree, but it's not.
Munky likes his 10-60s alright. Head needs heavier strings. They both sound great to me.
I am currently using LaBella 11-70s and they are muddier than 10-60s, I'll give you that. But then there are a few options to take the mud out.
The solution is just to not pick excessively hard. Munky picks fairly hard and does fine with his 10-60s. Again, people can use whatever they want, but I'm saying this because the 11-74s on the KOMRAD sounded terrible from first hand, real experience. As soon as we swapped them out, the tone became amazing.
Could it also be that the stock strings suck? I only used Dean Markley 10-60s and they are very nice strings. Next time I change strings I will give them another go and take your advice on my picking technique.
Any need for nut work after such a significant string change?
Any need for nut work after such a significant string change?
That assumes the nut was filed right in the first place, which it often isn't. But yes in general if you're going from a .074 to a .060, the tech would need to adjust the nut accordingly. It takes just a few moments, and is standard practice.
I guess I wasn't clear -- did YOU have to do anything with the nut on the one you played after replacing the strings with a significantly lighter gauge?
So since i have a komrad 20, we know they are in the wild. Does anyone have word on release of the new apex 20 yet? Anyone preorder one?