Very nice collection. I really like that silver one.Not *all* together. I've got them kind of split up. Five of them are here with me in London (1997 Artist, 1999 Classic, 2000 Stealth, a 5-string Fly Bass, and a Southern NiteFly). The rest are stored back at my Dad's place in the US (a Deluxe, Mojo Singlecut, a NiteFly-M, and an older HSS NiteFly) [crap, that's nine, not eight. No one tell my partner!]
I have this shot of the US ones plus my Southern NiteFly from my last visit back to my dad's when I took them all out for cleaning and restringing (I carried the NiteFly back to London with me). Plus an old shot of the Classic and Stealth together.
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The only refined one I have in the whole collection is the Deluxe. I do agree that the electronics setup is generally an improvement. You lose a tone-control on the piezo, but I don't really care much about that and I'd rather have the push-pull pots and more robust point to point wiring (none of my ribbon cables have gone out completely but the one in the Artist is a bit flakey sometimes and eventually I'll probably try to get them all converted to P2P).