StevenC
Needs a hobby
Might I make a suggestion: https://www.morningstar.io/relay-interfaceI have my MC8 to put on at some point and there’s room for the 5150 switch if I so choose.
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Might I make a suggestion: https://www.morningstar.io/relay-interfaceI have my MC8 to put on at some point and there’s room for the 5150 switch if I so choose.
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Good to know. I usually leave the 5150 on one channel when I fire it up.Might I make a suggestion: https://www.morningstar.io/relay-interface
Are you using the GSP solely for effects?I've posted a slightly different version of mine before, but I've re-configured everything since.
Homemade board, uber-cheap expression pedal because I only use it to wank off with the wah in the RP360 every now and then. I have an actual crybaby that I might put on there, but probably not, because I prefer the ability to limit the range that the RP360 gives me. I like full pedal sweep with limited frequency range.
I have a Plumes OD that used to live on here but it causes noise when it's next to everything else.
The stupidly large MIDI controller is connected to a GSP1101.
Edited to say I have no patience for neat wiring (obviously) and I change things too much to get any fancier than this.
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Are you using the GSP solely for effects?
Those Carvin ratfur cabs are rad, does yours have the Carvin "British Voiced" proto-redoats? I really dig those speakers. I've still got the x100b mine is matched with, too, though it's currently got a dead OT.Yep. The RP360 is early in the chain, for gate, wah, sometimes pitch/whammy, but I rarely use those FX. Signal goes from there to the ODs and out to a wall of amps, which all output to a rack mixer, which goes to the 1101 for stereo FX, than back to a Peavey 60/60 power amp and an array of cabs. I have 5 heads and all I have to do is take the main out from the pedalboard and plug into whichever one I want to play. All that is tailored for high gain. There is a separate path for the "clean channel," which is why the Boss A/B switch is on the board.
I've posted it before, but the whole ridiculous thing looks like this.
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Those Carvin ratfur cabs are rad, does yours have the Carvin "British Voiced" proto-redoats? I really dig those speakers. I've still got the x100b mine is matched with, too, though it's currently got a dead OT.
Ahh you have that big monster pedal! I couldn't remember who owned it, it's pretty cool.View attachment 139426
Could've said just look at my avatar, but that wouldn't really work if I changed it the next day or so.
It honestly reminds me of a spaceship just because it's this big, clunky contraption with a lot of buttons and wires and switches and the like.
The whole reason this board came about is really because of my favorite clean tone, which is that super lush 80s pop clean tone with the compressor, delay, reverb, and chorus/detune. I needed a way to switch in and out of that in the most efficient way possible without having to tap-dance all across my board trying to switch, or having to leave certain pedals on all the time such as my harmonizer that wouldn't sound good with a rhythm/lead tone.
I'd been accumulating pedals over the years mainly through Christmas and birthday presents, and had a smaller board but I really wanted something that could do it all for me, and this is what it turned out to be as a high school graduation present.
The one pedal that stands out on my board is the Temple of Syrinx pedal, and I got that pedal through my dad's friend who had been making pedals in his spare time. Went through a big Rush phase in middle school, so the graphics and name definitely check out. On the back is the Starman logo and the lyrics to The Temples of Syrinx which is a really nice touch. I mainly use the delay, reverb, boost, and buffer pedals on that. Never a huge fan of the chorus and fought a lot with the overdrive to get a sound I like.
Recently, I've integrated the Boss IR-2 through my board and I absolutely love it. I've been using it through my old Fender Champion as kinda like a monitor/speaker for the IR-2, and it does an amazing job. The nice thing about the ES-8 too is that I can save all these presets on different banks, so I have a couple banks used for different amps/going direct that all utilize my pedals in some way, shape, or form.
Edit: My original board idea was supposed to have more pedals on here, and turns out this board wasn't big enough to house it all. So I ended up using my old board on the side, but that was a wiring headache, so I figured it would be best to just use what I know I'm gonna use. Would've loved to have my phaser, flanger, and looper especially on here, but I can survive without them.
EQD afterneath gets my top mono reverb rec. It does normal reverb stuff, and a ton of weird stuff. Plus it's got a fucking wizard on it. 5 years later I still don't entirely understand the controls, but it's hard to dial a bad sound. The JHS reverb is also nice but very conventional and probably not much different from a HoF, hence the EQD rec.I was playing around with pedals tonight and ran out of room on my Pedaltrain Nano. Debating on getting something bigger but in the meantime set up an old BCB6 that wasn't getting any love.
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I had an OS2 and ST2 in place of the CE2 for a while. I dig the OS2, not digging the ST2 at all anymore, especially into an Origin 20.
Trying to decide between an MT2, ML2 or a Reverb or phaser instead of the HOF.
RV-5, keep the theme.I was playing around with pedals tonight and ran out of room on my Pedaltrain Nano. Debating on getting something bigger but in the meantime set up an old BCB6 that wasn't getting any love.
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I had an OS2 and ST2 in place of the CE2 for a while. I dig the OS2, not digging the ST2 at all anymore, especially into an Origin 20.
Trying to decide between an MT2, ML2 or a Reverb or phaser instead of the HOF.