That bottom one is really strange.
That bottom one is really strange.
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The "funny" in this thread is in a broad sense of it and fill the complete spectrum of the word, ranging from complete shit to awkward well build guitars... yeah, that one fall on the last understanding of the word funny...I'm sure it's constructed and plays beautifully...but, c'mon...it's funny...
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Fodera made Victor Wooten a "Bow Bass" for a classical piece he was going to perform with an orchestra. Basically what you're describing, half-moon radiused fretboard, raised bridge saddles.Honestly a giant scale electric violin would be awesome. Maybe you could just goof around with saddle heights on a normal guitar, but I doubt a guitarist would be able to use a bow on it very easily.
One of the better violin shaped guitar things I've seen... Normally I'm not a fan of that stuff but this is cool with P90's and a Floyd.
That thing is wild. Victor Wooten is amazing.Fodera made Victor Wooten a "Bow Bass" for a classical piece he was going to perform with an orchestra. Basically what you're describing, half-moon radiused fretboard, raised bridge saddles.
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... mixing in a bit of Nuno Bettencourt vibes as well (headstock)...That's actually pretty fucking cool.
Major PGM600 vibes, but better.
While it's not for me, and I was going to joke how it'd likely spend its life hanging on the wall of a head shop, it seems too well done for that. Even the pattern could be much much worse, and the green binding pulls it all together. It's like...a really well-made zoot suit. I can respect it, but still laugh at it.
I had to look it up and holy shit lmaoI feel like every other "pot guitar" pales in comparison to the Dunable "420" guitar and bass that you could smoke out of.
Went down a Schecter rabbit-hole this morning, there's some absolute bangers in their Custom Shop "Masterworks" gallery...
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Yeah they definitely strike me as stage/performance guitars. The scroll-y tele one is growing on me too.I kinda dig these three, over the top but not too bad.