Yeah, I kinda dig that aesthetic, but I totally see where you're coming from. Tbh, it was the 50s and 60s, I don't think most people gave nearly as much of a shit as we doI will never own an LP for other reasons anyway (comfort / playability), but that part of "the look" really bugs me. An LP without a pickguard looks classy, but the pickguards look less like an afterthought by Gibson and more like an afterthought by the customer (i.e. a dodgy DIY job)...although I can't say I've ever felt so worried about pick rash that I've decided to drill holes in my guitar and screw on a piece of opaque plastic that looks uglier than a slightly scuffed/worn gloss finish on a beautiful maple top. Perhaps I'm the weird one, but I don't see it...![]()
![lol :lol: :lol:](http://www.sevenstring.org/styles/default/xenforo/smilies/laugh.gif)
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White and gold isI forgot about muh white and gold, that definitely pops the right way in my opinion. Too classy for my oblivious ass standing in front of the amp with my back to the crowd, but sweet. You're definitely right about going full gold or bust. I swapped one of my trans burst Sabers to gold hardware and often when I walk by it I think, "Nice silver saddle springs, dumbass." It's still better than the cosmo hardware that it had, which my other copy still has, but the gold HW subtracted a bit from my wallet in tradeoff obviously.
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... but I dislike gold frets for some reason. Never liked the look at all in most contexts. They look like brass to me, and that's a veeeeery specific look, not to mention I subconsciously (and wrongly) feel like they will wear just by breathing on them. It's like the only item on a guitar I strictly need to be silver cause otherwise it just looks wrong and cheap.