I think most of the time when people say a guitar sounds sterile, they mean the midrange qualities are not what they’re used to hearing from vintage Gibsons or Fenders.
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I think most of the time when people say a guitar sounds sterile, they mean the midrange qualities are not what they’re used to hearing from vintage Gibsons or Fenders.
When someone says "it felt/sounded sterile" what they really mean is "its just not my thing". I've heard that comment about just about every brand under the sun. Sometimes you just don't jive with a guitar.
Doesn't account for how often folks say that about Strats and Les Pauls.![]()
Or it has too thick of a finish on it which makes it feel like plastic. I have felt like this with a few guitars and didn't like that feel.The vast majority of the time I've heard people describe a guitar as sterile, it's been a PRS or anything with EMG pickups, and from someone on the Seymour Duncan Forum. Or it's been a local blues player who doesn't like anything that's not a 50's style G or F.
Or it has too thick of a finish on it which makes it feel like plastic. I have felt like this with a few guitars and didn't like that feel.
all guitars sound like guitars guys.
I feel like the term "sterile" means pretty much anything when it comes to bonding with a guitar... neck profile, specs, tone, scale, fret material, type of bridge, set-up, etc, etc... whatever lends itself to someone's lackluster experience. Not sure how a minuscule percentage of opinions equates to an overall negative consensus of any brand or model when it's all so subjective.
It obviously needs moar toan.
This is another one thrown around fairly often.
Unless someone globbed on layers of poly or epoxy with a brush, shot finishes are measured in thousandths of an inch in thickness. When it comes to production guitars, the idea is to put on as thin a coat as possible to not waste material and so it cures quickly and evenly. Modern pigments can be both opaque and vivid without multiple coats.
When you see a highly glossed guitar that looks like water or glass, it's a trick of the light making the finish seem much thicker. It's a similar concept to the chatoyance of figured tops where the mineral patterns give the appearance of changes in depth.
If you're on social media take a look at some of the finishes done by "jncolor" who does finish work for the various FMIC Custom Shops. You'll see him shooting thin coats of lacquer. Consider that modern polyester finishes are even thinner than that.
My experience refinishing an LTD SC608B was the complete opposite. It had a finish that was thick as a brick. Now this could be just me, but it felt like the sound opened up a bit after stripping and refinishing it. That sterile feel wasn't as bad as it was.
At the guitar building school I attended, we were taught to make the finish as thin as possible, like you said. However, when sanding it smooth, you could sand through the lacquer, which, I think, is the reason they'll use thicker coats of lacquer on production guitars. That 608B is the only one I've done a refinish on, though