darren
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- Oct 18, 2004
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So i took my Intrepid Pro to rehearsal last night and ran it through its paces briefly in a band context. It worked amazingly well. Some of my low/medium gain patches sounded a bit more harsh (likely due to the EMG), but the cleans and high-gain patches sounded great through my GT-6 and my Crate and Mesa Thiele cab held up pretty well with the low notes. I may have to do a bit of patch tweaking for songs that i might be using this guitar on.
I tweaked my tuning a bit, as i found DAEADGBE was just too low and loose on the bottom end, so i'm now trying EBEADGBE which seems to be working out well. It allows me to do similar voicings as i do on my 7-string in drop-A tuning, but one string over.
That tuning lets me play a full 8-string barre chord using an "E" formation. And that open E sounds "disemboweling" to paraphrase our drummer. But for this reason, i probably won't be able to use it on everything... a lot of material i've written my parts specifically for drop-A, and i suspect there will be other material that i'll be writing 8-string parts for.
I have to reiterate that the neck is absolutely phenomenal on these instruments. It's incredibly comfortable, and i have absolutely no hand fatigue, even after playing a lot of chords up and down the neck. It's perfect. At least, it is for me.
I was expecting the instrument as a whole to be quite heavy. I was surprised at how light and resonant it is. It's very loud and clear when played unplugged, even down to the bottom string. Note separation is fantastic.
I'm really looking forward to getting my Standard and seeing how the two instruments compare. It should be arriving on Wednesday. Unfortunately, i left my Line 6 DI box at our rehearsal space, so i won't be able to do comparison tracks until Friday.
Cosmetic flaws aside, i'm still very impressed. It's a fraction of the price of any other 8 on the market, and with these being the first ones, i'm pretty much looking at mine as a prototype. Nothing i've encountered so far has affected the tone or playability of the instrument.
I tweaked my tuning a bit, as i found DAEADGBE was just too low and loose on the bottom end, so i'm now trying EBEADGBE which seems to be working out well. It allows me to do similar voicings as i do on my 7-string in drop-A tuning, but one string over.
That tuning lets me play a full 8-string barre chord using an "E" formation. And that open E sounds "disemboweling" to paraphrase our drummer. But for this reason, i probably won't be able to use it on everything... a lot of material i've written my parts specifically for drop-A, and i suspect there will be other material that i'll be writing 8-string parts for.
I have to reiterate that the neck is absolutely phenomenal on these instruments. It's incredibly comfortable, and i have absolutely no hand fatigue, even after playing a lot of chords up and down the neck. It's perfect. At least, it is for me.
I was expecting the instrument as a whole to be quite heavy. I was surprised at how light and resonant it is. It's very loud and clear when played unplugged, even down to the bottom string. Note separation is fantastic.
I'm really looking forward to getting my Standard and seeing how the two instruments compare. It should be arriving on Wednesday. Unfortunately, i left my Line 6 DI box at our rehearsal space, so i won't be able to do comparison tracks until Friday.
Cosmetic flaws aside, i'm still very impressed. It's a fraction of the price of any other 8 on the market, and with these being the first ones, i'm pretty much looking at mine as a prototype. Nothing i've encountered so far has affected the tone or playability of the instrument.