Excellent. How does it balance?
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Yeah, that was a bit of a necessary evil, sadly. The main light I was using isn't very bright, so I was at something like 2.8, 1/80, and 400 already.
I've been kind of on the fence about how much I like the Fuji for what I'd been intending to use it, and I think it came down to 35mm not being quite wide enough so I sprung on the wide conversion lens. Given that on my last couple of pro shoots, I've found my sweet spot between 20 and 30mm because of the more cinematic feel, I'm hoping the 28mm swings it for me and I finally feel good about making the decision to spend on a high-end compact. But as it stands right now, I've still preferred the images I'm getting from my 6D. If this doesn't do it, then I'll probably end up selling the Fuji and picking up a 24mm prime for my Canon.
It spits out this data: ƒ/2.8, 1/100, ISO200 for both of those shots. You just need more power. Put those flashes in manual and crank the power to max.![]()
Which reminds me!
I too am very much a fan of that kind of focal length and after having tried the Zeiss ZE 25mm f2 (check it out, it's gorgeous) I've always wanted something like that as an everyday instead of the typical 50 or still-common-but-less-typical 35mm (equivalents).
Low and behold, Fuji have just launched the 16mm 1.4, which is a perfect 24mm f2 equivalent, so needless to say I'm gunna be buying one of those! I might even sell my 10-24 for it to be honest, and it would be an ideal travel lens and for the editorial stuff I do now where the f4 of the 10-24 just can't get any background separation.
Initial impressions look great too.
After shooting a week with the Galaxy and it's 28mm effective FOV, I'm itching for a prime with around the same FOV.
There's always the Fuji 18mm too.