@wheresthefbomb I've been using a BD2 into a Behringer SuperFuzz and that gets gnarly. An SD1 into a BD2 also fucking rips.
@TheWarAgainstTime thought about grabbing an axefx ii/iii for effects with the gcx instead?
This site may earn a commission from merchant links like Ebay, Amazon, and others.
NiceI tried doing a 4CM setup for a while with my old Axe-FX II, but ultimately preferred the simplicity and particular sounds I've got set up with my pedals if I'm already using a real amp and cab anyway I just got along best with the workflow of using the Axe-FX as an all-in-one solution for recording direct or running through a solid state power amp and cab as a separate full rig.
@guitarmeister Disaster Transport always gets my vote! I was unfortunately less than wow'd by the Empress Tape, but I was looking for it to do some very specific things. The friend I sold it to loved it.
I had a feeling that recommendation would pop up. That's one delay that's always been on my radar but never bought it. I already have an excessive amount of delays and reverbs on hand so I should probably bite the bullet and finally give the Diamond a try.@guitarmeister can i make it worse and add the diamond memory lane jr?
It's a Carvin V3, 3-channel 100W. Thanks for listening! I do use an eBow quite a bit, but not in this song. That first guitar part starts with strumming an open D chord in drop-D then bringing up the volume knob from 0. It's got a self-oscillating delay with a filter sweep modulation effect from the Nemesis and the Digitech FreqOut making the feedbacky sustain.@DECEMBER What Carvin amp is that controller for? Reminding me of my old VL100, I loved that amp. Dig your track, especially the melody coming in around 0:45, sounds like ebow and maybe some reverb into dirt magic?
First time you post without a bad ass sitting beneath your gear I’ll know it’s not really you lol.
DarkstarDIY board from stuff laying around. Need some feet to get it off the floor a little more and then done... For now.