Carl Kolchak
Last of the famous international playboys
Schecter makes a 30" scale 6 stringer with EMGs.
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Yeah I don't understand what you're saying - "even with a heavier gauge" and "with a standard seven string set" seem contradictory.
I'm glad I fell in love with baritone 6s - there are so many 30"ers and such to choose from. The market for longscale 8s is still pretty small. 7 is definitely my preference overall these days however
Did anyone in here insinuate that he wouldn't use strings designed for 8 string tuning if he did go with a downturned 7? I don't think it was ever suggested that he use a 7 string set and tune down to F#.Sort of like you have 0.8 to 0.13 six-string sets, The heavier gauges allow you to tune lower. But not from E to B, for example (yes, you can, if you like mushy tone and horrible tuning stability).
If you want to do that, get a string set that is optimised for such a tuning.
In the case of the OP, for an eight string tuning, rather than tune down strings that are designed for B tuning (and there are light and heavy gauges that are designed for that tuning), I suggested he get an eight string set and just not use the first string.
The results will be far better than tuning down from B to F#.
Did anyone in here insinuate that he wouldn't use strings designed for 8 string tuning if he did go with a downturned 7? I don't think it was ever suggested that he use a 7 string set and tune down to F#.
Topic of the thread is
Should I get an 8 or downtune a 7?
He also says his tuning requirement is EAEADGB.
Sorry for the large font.
Yeah it also doesn't say, "Should I get an 8 or downtune a 7...with 7 string gauge strings" either...I think we all understand here what he wants to do but you mentioned using standard 7 string gauges to tune down and that its idiotic. Well duh, we never said to do that.
Maybe look at an Ormsby GTR 7 string?
I think the low string on those is ~28", which is as short as I'd go for drop E.
Don't buy a Legator - waaaaay too many horror stories about them.
Ormsby seem to not be well liked around here, but tbh they are pretty good production guitars with a nice feature set and a very comfy neck.
The only reason I sold my Ormsby 7 was that I am apparently either a 6 or 8 string player and just couldn't get used to a 7 string. It was a really nice guitar though.
FWIW, Ormsby guitars themselves are for the most part excellent instruments. The issue is that unfortunately when there have been QC issues, they have been handled poorly on Ormsby's end as far as I can tell. Take that with a grain of salt as there are still plenty of people buying them (myself included) however it's a risk worth keeping in mind if you live overseas from Australia.
Yeah, agree with all of that. His policy of "contact us by email before you rage about your issue on a forum" isn't super unreasonable, but his approach to it kinda is. His handling of that stuff has been very abrasive at times.
The run 1 Hype that I had was honestly one of the better guitars I've owned. Overall, it was better than any Ibanez I've owned or played (I haven't played any Prestige ones though) and almost as good as my 1997 USA PRS.
If I hadn't already well and truly scratched my 8 string itch with an M80M, I'd definitely be looking at a Hype 8.
After some research and considering the advice in this thread I ordered a Cort KX508MS and set of D'd NYXL strings. All the 7s in my price range I was interested in, had 27 - 25.5 scales, but I really wanted at least 28" for the E. I also liked Agile, but the only multiscale 8s I could find had the Kahler trem, which I read isn't that great.
The Cort has 28" - 26.5" scale, and using the string tension pro calculator .80 will give 15 pounds. I ordered individual strings which should give me around 14.4 pounds on the three treble strings, and about 15.5 pounds on the next three strings, with 15 on the final E. Not sure how that's going to feel, but hopefully it's pretty good. Tuning is E A E A D G B E, gauges are .80 .60 .40 .22 .15 .12 .09 and I customized the scale length for each string in the tool to account for the fanned frets.
My preferred tuning is drop A, but I've been wanting to hit lower notes for certain parts, and also get a longer scale than the 25.5" guitars I have.
I hope it's okay me adding onto this thread, I find myself in a situation very similar. And it seemed smarter than starting a new one for something so similar. Apologies in advance if this seems rude or the wrong way to ask this. It's been quite a while since I've been on here.
After taking a 3 year break away from music entirely (including selling all my gear) I find myself in the same sort of position. My delima is I want a trem but also kinda want an 8 string again. I decided a 28" or so scale 7 string with a trem is probably the best bet for me cost wise. I've owned Agiles in the past and at my price point they seem to make the most sense, especially if I could find one used to save some money yet I seem to be having trouble finding any used and I only see one on Rondo music. I've not written that one off completely but would kinda prefer one with a floyd instead of a khaler.
I'm I missing something? A few years ago I would see used agiles for sale all the time and now there's hardly any. Or are there any other longer scale 7's you guys would recommend? I could probably stretch my money up to about the $700-$800 price range in a pinch. The only real musts are floyd and 27" or higher scale. Thanks in advance!
I will say I love the look of those legacy's. I would surely have to get new pups but that's to be expected.
Doesn't seem to be too many reviews on them, though I assume it's safe to expect the same sort of quality/playability as their usual offerings?
Also in looking for reviews I found some of the other finish options Kurt had and wow their were some breath taking options. May have to inquire about if and when some of those may come back in stock.
Thanks for pointing those out. Not sure how I missed them.