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Those specs look pretty terrible. It seems like all the "designed by a Facebook group" guitars turn into a gaudy Keisel style mess.
Those specs look pretty terrible. It seems like all the "designed by a Facebook group" guitars turn into a gaudy Keisel style mess.
The black/green/purple have potential, but yea -- it needs a maple board or similar. What makes Skervesen and Kiesels often so cringe is this weird desire to go over the top on every single part of the instrument. No thought to balance, just every piece of wood as busy as possible. Sad to see it here as well -- Ziricote board not a good choice for burl tops on a minimalist instrument.
I think there is a sentiment that the more exotic each component is, the better the whole guitar. It's almost like there is an arms race to ensure each component of a custom shop guitar is spec'd "upwards" as far as possible.
Fretboard Heirarchy:
Brazilian Titanium Magic Wood > Ziricote > Ebony > Rosewood/Maple
It's resulted in a lot of guitars being, in my opinion, really gawdy. As you mentioned, there isn't a coherent design. There's no emphasis on one "star" component. With these crazy burls, you need neutral components to emphasize the burl. Some of the Kiesels with stained everything are more interesting as an exercise in guitar finishing than being actually attractive instruments.
I think there is a sentiment that the more exotic each component is, the better the whole guitar. It's almost like there is an arms race to ensure each component of a custom shop guitar is spec'd "upwards" as far as possible.
Fretboard Heirarchy:
Brazilian Titanium Magic Wood > Ziricote > Ebony > Rosewood/Maple
It's resulted in a lot of guitars being, in my opinion, really gawdy. As you mentioned, there isn't a coherent design. There's no emphasis on one "star" component. With these crazy burls, you need neutral components to emphasize the burl. Some of the Kiesels with stained everything are more interesting as an exercise in guitar finishing than being actually attractive instruments.
I hate how strandberg does the parallel fret at the first fret on 6s.
3-4 years I what I last heard. Ola said that the bottleneck to the Swedish M2M shop is that he (Ola) has to be present. I find this odd to say since the shop seems to operating just fine building without him present. Either way, if that is the case, the wait time could be 5 years.Any of you have any idea what the current turnaround time for the M2M waitlist is?
I figure it's probably something ridiculous but I'm still curious.
Since this run is coming out of the M2M factory, then that means that the builds of other customers (who have been waiting for months and/or years thus far) are going to be pushed back further.
That doesn't seem right.
It's only pushing it back the same as N number of custom shop orders. There's 2 queues: custom shop and M2M. They don't overlap.